Robert Zemeckis and Kevin Baillie talk about the VFX challenges of the director's return to live action.

Animation producer Justin Weyers describes the massive production challenges of turning Chapman’s A Liar’s Autobiography into an animated 3-D feature.

Disney’s new BRDF lighting system stands front and center in the array of new tech tools anchoring the studio’s animation production pipeline.

Dan Glass talks Cloud Atlas VFX and working with the Wachowskis again.

Catherine Morrissey reports on the growing importance of second screen and new media platforms for TV animation producers.

The Goth King returns to his childhood roots for this stop-motion adaptation of his celebrated short.

The directors of A Liar’s Autobiography discuss their new animated feature about “the dead one,” Monty Python’s Graham Chapman.

This month Dr. Toon advises aspiring critics on how to dish it out - and how to take it.

Genndy Tartakovsky and Sony Pictures Animation describe the demands of imposing a hand-drawn aesthetic on his debut feature.

The legendary creator of Dexter’s Laboratory and Samurai Jack tackles his first feature for Sony Pictures Animation.