How Dan Schrecker and Jonathan Levine brought the undead to life in Warm Bodies.

What does “Postmodern” really mean in terms of animation? Dr. Toon takes a look at an overused term.

In this previously unknown essay, the former ASIFA Int’l President implores community action to keep animation alive and relevant.

Virtual production takes an evolutionary leap with Bryan Singer's Jack the Giant Slayer.

The seasoned VFX vet shares how an integrated pipeline built upon Adobe software brings greater creative freedom and efficiency to the production.

Bill Desowitz reports backstage from the 85th Academy Awards on the animation and VFX winners.

Animation legends discuss the lasting effects of winning Best Short.

Method provides imaginative VFX environments for the new supernatural fantasy.

The film’s Executive Producer and ILM VFX Supervisor discuss the Oscar®-nominated superhero epic’s visual effects challenges.

Top industry professionals tackle the issue of what makes a film “the best.”