Director Enrico Casaroa and Producer Kevin Reher discuss the creative and production process behind the gentle and beautifully crafted La Luna.

The director of the NFB's Oscar-nominated short discusses his design challenges and personal inspiration.

Weta Digital’s CTO talks about the technological challenges of producing some of the most compelling and captivating performances in cinema today.

ILM's Transformers guru has a blast going under the hood of the third movie.

The director discusses the genesis and challenges of making his oscar-nominated short film.

The four-time Oscar winner talks about the VFX front runner.

Terrence Masson talks about preparing educators and students through a pioneering new approach to interdisciplinary collaboration.

There are coffee-table "The Art of …" and "The Making of …" books on just about every new American animated feature. Books about older movies are rarer. Here is one on a 1967 "classic": the stop-motion Mad Monster Party.

Creator Adam Reed’s spy-spoof deftly brings together espionage, workplace drama, dirty sex and automatic weapons. And turtlenecks.

ILM visual effects supervisor Ben Snow shares his insights on turning sultry underwater vixens into vicious battling mermaids, all in stereoscopic 3-D