Jiri Trnka -- Walt Disney Of The East!

The Artist from The Hand. © Kratky Film Praha.

Watch a clip from The Hand and witness why Trnka is the master. © Rembrandt Films. All Rights Reserved.
The Hand To learn more about Trnka's work, view clips from The Emperor's Nightingale and One Drop Too Many. A collection of Trnka's world famous puppet films is available
in a 3-tape collection at the AWN
Store. Edgar Dutka is a scriptwriter, animation historian and professor
at The Academy of Performing Arts in Prague.
The last of Trnka's films, The Hand, was an unexpected and surprising
break in his work thus far. It was something completely new in content
and form. The Handis a merciless political allegory, which
strictly follows story outline without developing lyrical details
as usual; it had a strong dramatic arc with deep catharsisin
the end. Trnka had used a combination of his typical funny-foolish
but undefeated, ordinary man puppet as the protagonist and a live-action
human hand (naked or in gloves) as the despotic antagonist. When The
Handwas released it was officially declared as Trnka's criticism
of the Cult of Personality (Stalin), but for all people, it was an
alarming allegory of human existence in a totalitarian society. The
film had the strong up-to-date story about the Artist and the omnipresent
Hand, which only allowed the Artist to make sculptures of the Hand
and nothing else. The Artist was sent to a prison for his disobedience
and pressed to hew a huge sculpture of the Hand. When the omnipresent
Hand caused the Artist's death, the same Hand organizes the artist's
State funeral with all artists honoured. Trnka, for the first time,
openly expressed his opinion about his own inhuman totalitarian society.
The Handwas one of the first films that helped to open the
short Prague's Spring. It is curious that Trnka predicted his own
fate in it. When Jiri Trnka died in November 1969 (at only 57 years
of age), he had a State funeral with honours. Only four months later,
The Handwas banned; all copies were confiscated by the secret
police, put in a safe and the film was forbidden for screening for
next twenty years. A seventeen minute long puppet film intimidated
the unlimited power of the Totalitarian State. In the 1970s and 80s,
we already could find many such examples: films by Jan
Svankmajer at the time. The importance of gifted and intelligent
animation for an adult audience will never fade. I am sure if Trnka's
film The Handwas seen by people in any totalitarian country
today, it would help them to believe, as it helped us to believe:
We shall overcome! And we did.























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