Japan: A View From Inside Production I.G

Justin Leach left the U.S. to experience animation production in Japan first hand. Taking a position at one of Japan's hottest studios he compares and contrasts two similar but very different worlds.
Posted In | Magazines: AnimationWorld

The Economics of Japanese Animation
Probably one of the greatest differences I have noticed between Japan and America is that the Japanese feature animation industry is very poor — money poor that is. Budgets for feature films can be anywhere from as low as US$1 million to $15 million at the very highest. This pales in comparison to the United States which typically invests 10 to 20 times more per film. This lower budget also reflects employee salaries. Typically animators in Japan earn the equivalent of $15,000 to $20,000 a year.

The experience of living in Japan and working at Production I.G. has been one of the most fascinating adventures of my life. I am greatly inspired by the spirit and passion of the creators at Production I.G. and admire their courage and tenacity for taking creative risks and daring to change our perceptions of animation. The Japanese culture has made a very important observation: Animation isn't only for kids. Whether 2D, 3D or stop-motion, animation is just another story telling medium capable of moving the hearts and minds of the audiences that watch them.

Justin Leach’s earliest professional credit was as a video game design consultant in 1992. Since then he has worked on commercials, music videos and theatrical features; notably for Blue Sky Studios from May 1997 through March 2001 where he was on the teams for Bunny and Ice Age, among other projects. Since April 2001 he has been an employee of Production I.G. in Tokyo, where he is currently working on Mamoru Oshii's next feature animated film.







Comments


i would want to work and try working in japan someday coz if your an anime addict then surely you will know what i am talking about. I am currently in my first two or three weeks in Media arts & Animation of Art Institute of Orange country. This school is one of the best and latest studios on the United States. I would wanna improve my drawing skilss more and more until i am the best! :D I am really inspired of your and hope someday i will get help with everyone who's in this field ^^ Email me! Thank you*

Keith (not verified) | Thu, 12/02/2010 - 14:04 | Permalink
a very positive article on a very sad industry. i worked for sunrise in tokyo for one year. i made less than $1000 a month. this went towards rent utilities and very little food. most employees still lived with their parents or were recieving money to live. i was required to work 9am to 1am 7 days a week. i was the only person to use my hour lunch, everyone else took 15 minutes tops. i never had a day off. i saw a grocery store only if i skipped lunch and rode my bike to the store. i`m glad to hear that the authors experience at IG is positive and had some time off but the truth is that people in the industry make nothing. its comparable to the 1920`s in america. my boss was stinking rich however. he had about 5 cars which we had the responsibility to clean everyday before work. the #2 at the company had to clean the boss`s second apartment every morning. i am very proud that i was able to work as an animator in japan since it had been my dream as a kid but the behind the scenes isn`t as great as the author`s article.
serum (not verified) | Thu, 02/19/2004 - 01:00 | Permalink
You guys should really check out his diary at production IG website "Samurai from NYC". It's very informative and entertaining. And yes, it's in English: http://www.production-ig.com/Samurai_Home.html
Harrison Rogan (not verified) | Thu, 05/09/2002 - 00:00 | Permalink
It was very nice to hear from some one who dare to challenge the possible barricades of language, culture and living style. I was doing animation in India and now I came to Canada where we have greatest animation collage, I saw students have big influence of Japanese animation. This was a nice inside story about animation comparison and they way people look in to art like animation. Good and all the best for you..
baby kutty joy (not verified) | Thu, 04/18/2002 - 00:00 | Permalink
A most informative article. As a Japanese animation enthusiast, I am green with envy at the author's fortune in working for Production IG, a groundbreaking and influential studio which also has offices in the United States. I would like to add, in regards to the comments of another poster, that the author most probably has enough command of the Japanese language to carry on his job and he is still learning. The animation industry in Japan has an inclination towards innovation. And obviously, unemployment in Japan is nowhere near disastrous.
Carlos Salgado (not verified) | Mon, 04/15/2002 - 00:00 | Permalink
Very interesting perspective. But I would like to know how the author was able to communicate? What barriers did he face in terms of language, race, economics. Also, why Japan? Why not Jamaica? Did he have pre-conceived notions? Did the job materialize before the trip or after? And how does one afford to live in Japan for $15,000 per year, when a melon can cost $100? I lived in San Francisco and earned much more and still had a hard time breaking even. I'm also curious to know how a work visa was secured when unemployment in Japan is catastrophic? The story was indeed interesting, but has made me yearn for a little more info.
David Donar (not verified) | Thu, 04/11/2002 - 00:00 | Permalink
Thak you for your information on the production of "Ghost in the Shell". I find Japanese animation very inspirational, and I hope to prduce my own animated film in the future. Currently at my school, we are searching career opportunities. Even though I don't think movie production is on the list of careers to choose, I find it to be a wonderful and creative way to make my stand in the world. Thanks again for the info on everything; it really helped.
Mallory Harrelson (not verified) | Thu, 04/11/2002 - 00:00 | Permalink
Thank you for posting this editorial about working abroad.Being an admirer of japanese animation I've always been on how they put projects together in comparison to here. The question I have is are studios receptive to having people from other countries work along side them on projects or is it quite difficult to achieve? Just for the experience this is something I would like to try.
Irvin Walkes (not verified) | Mon, 04/08/2002 - 00:00 | Permalink

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