Model Sheets vs. Business Models: How Independent Animators Work Within the System

Joe Strike sets out to find out how independent animators find work within the system while keeping their independence.
Posted In | Magazines: AnimationWorld

“You get tossed around a little bit being an independent animation producer, but our clients appreciate the premium value our shop adds — our creative input, our ability to turn projects around quickly while keeping quality high, and our overall level of service. Once you establish your reputation you start to get projects that are financially and creatively rewarding; that gets you up to a nice comfort level.”

And finally, Courage the Cowardly Dog director John Dilworth compares his experience as an independent animator working with the majors to that of, “The Earth circling the sun: one cannot get too close for fear of burning up, yet the sun gives us life.” Rather than be interviewed directly, Dilworth preferred to offer his reflections via E-mail: “Patronage has been the artist’s the artist’s second great burden. The first are the ideas... I have only been repulsed to Dante’s depth a few times by the corporate dogma of studios and mostly from the legal department... The executives on whole have been surprisingly good at their jobs. I have encountered the dim-sighted to the dazzling. And it is those Medici’s of animation executives that make the odd process of co-habitating cogwheels worth the turning.

“Fortunately I have not compromised much on my ideas working with studios. I mostly understand corporate morality and the invented values a studio must project to protect the profit stream from going dry. I have always found a way to express an idea within the confines of agreement.”

Websites:

Mike Young Productions
http://www.mikeyoungproductions.com

Curious Pictures
http://www.curiouspictures.com

CARTOON Inc.
http://www.akacartoon.com

Cartoon Network
http://www.cartoonnetwork.com

MishMash Media (Xeth Feinberg):
http://www.mishmashemedia.com

Bill Plympton Studio
http://www.plymptoons.com

Noodlesoup Productions
http://www.noodlesoup.net

Queer Duck (on Showtime Website):
http://www.sho.com/site/queerduck

Joe Strike is a NYC-based writer/producer with a background in TV promotion and a lifelong interest in animation. He is writing a children’s novel.







Comments


best article-yet about current animation MONOPLIES and how badly "consessions' need to adapt to every financial-political situation. after six years of trying to figure out how an individual -creating origional concepts-must 'operate'...one must come to the conclusion that 'plimpton' style operations(one creator-busting his-her- ass ,18 hours a day) are only for the 'work -a -holics'and type "A" personalities. this article re-inforces my continued idea-approach regarding 'marketing' of origional toon concepts.it no longer matters if your concept is VIABLE...and all that matters is that the lowest of 'hopefulls'(and YOU number in the thousands) atempting to make any money in the toon biz, must turn to self publishing-via kids books-comics- licensing products(make-sell them yourself)and hope the big "TOON GOONS" sign you-on? then, these independant studios that can keep; 'the right distance from the sun' -BARF!!! will be working with you-the lone-creator-at the bottom of the 'dung-heap'...of toon -wannabeez...??? as a 'lone -toon-creator' you must keep hope forever-burning(like our ultimate hero"PLIMPTON") who-even-now,plimpton....goes ; begging for a chance to be working for the big toon goons? did they finally 'beat you down'-BILL? are YOU being made 'an example" of what happens to single-creators-who attempt to market their ideas,without 'begging'(please buy out my concept!) for a 'crumb' ,from the big toon goons throne? how sad...that our only (go-it alone)hero has succumbed to the network (are YOU being made the example?) bullies-who obviously have a greedy(proprietary) strangle-hold on cartoons! and how pitifull is -it.... when american animation-for hire studios need to "BOW"...to the "QUEEN"... of canadian-subsidized "DEALS" that require all sorts of conditions-then require vancouver-kanooks (only)canadians-create the animations??!!! thats 'outsourcing'! seven years ago i was sent a 'contract' which i was required to 'sign'-before i was allowed to approach cartoon network,but (wisley) i never got involved-because their contract stated-somthing like this ; "of course-we may be doing the exact same concept that you are working on...." and this says it-all,so why is this article any different than the past-day sitiation? nothing has changed-just the money-hungry 'creatives'-as they are politley and carefully avoiding the real issue....and that involves 'fair trade'. this pisses me-off to no end,and i am determined to launch my own concept...FAR-FAR from the "SUN" or these 'son of a bitches'who think they can dominate the toon biz,with corprate-big money brutality! in business-one knows when they are taking a 'beating' ,and no one said YOU can not fight-back.i see a lot of toon'prostitutes' who will do anything for a few bucks,just to be doing cartoons. sad-indeed. DAWK
dale 'dawk' mc farlane (not verified) | Mon, 07/05/2004 - 00:00 | Permalink

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