Mary Ellen Bute: Seeing Sound

Bill Moritz chronicles the work of pioneer experimental animator Mary Ellen Bute, whose films gained an unexpected acceptance by both Hollywood and the public.
Posted In | Magazines: AnimationWorld

Mary Ellen Bute Abstract Filmography
Synchronization (1934) collaboration with Joseph Schillinger and Lewis Jacobs [paper or cel animation; lost? incomplete?]

Rhythm in Light (1935, b&w, 5 min.) in collaboration with Melville Webber. Music: "Anitra's Dance" from Grieg's music for Peer Gynt. Moving models with lighting: "cellophane & ping-pong balls," sparklers, egg beaters, bracelets & barber poles, and some drawn animation.

Synchromy No. 2 (1936, b&w, 5 min.) Music: "Evening Star" from Wagner's Tannhäuser, sung by Reinald Werrenrath. Light reflections from cut glass, collander, etc. "Gothic arches, a flowering rod, and stairs recognizable."

Dada (1936) 3-minute short for Universal Newsreel.

Parabola (1938, b&w, 9 min.) music: Création du monde by Darius Milhaud. Based on a sculpture by Rutherford Boyd. Small models and bent rods on a turntable.

Escape (1939, color, 5 min.) Music: Toccata in D Minor by J.S. Bach. Comb, cut celluloid, mirrors & lighting. [cel animation]

Spook Sport (1940, color, 8 min.) Music: Danse macabre by Saint-Saëns. Cel animation + McLaren's drawn-on-film effects.

Tarantella (1941, color, 5 min.) Music by Edwin Gerschefski. Drawn animation and cut-outs with light effects, McLaren.

Color Rhapsodie (1951, color, 6 min.) Music: Hungarian Rhapsody No. 2 by Liszt. "Paint on glass, fireworks," animation, fireworks and clouds optically colored.

Polka Graph (1952, color, 5 min.) Music: "Polka" from The Age of Gold by Shostakovich. Cel animation over graph pattern, using Schillinger system. cutouts and cellophane layered.

Pastorale (1953, color, 8 min.) Music: Sheep May Safely Graze by J.S. Bach. "Kaleidoscope of ever-changing shapes, colors, forms, vapors, illuminations and mobile perspectives."

Abstronic (1954, color, 7 min.) Music: "Hoedown" from Billy the Kid by Aaron Copeland and "Ranch House Party" by Don Gillis. Oscilloscope patterns over drawn backgrounds.

Mood Contrasts (1953, color, 7 min.) Music: "Hymn to the Sun" from The Golden Cockerel and "Dance of the Tumblers" from The Snow Maiden by Rimsky-Korsakov. Oscilloscope over backgrounds, including colored liquids, clouds, and grids of colored light shot through glass bricks or cut-glass plate.

Imagination (1958, color, 3 min.) Collage of effects from earlier films. [Abstract bit for Steve Allen]

RCA: New Sensations in Sound (1959, color, 3 min) Commercial. Collage of effects from previous films.








Comments

  No comments. Be the first to comment below.


Post new comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Allowed HTML tags: <a> <em> <strong> <cite> <code> <ul> <ol> <li> <dl> <dt> <dd>
  • Lines and paragraphs break automatically.
  • Use <!--pagebreak--> to create page breaks.

More information about formatting options

CAPTCHA
This question is for testing whether you are a human visitor and to prevent automated spam submissions.