Fresh from the Festivals: July 2003's Film Reviews

Jon Hofferman reviews five short films fresh from the festival circuit: Plugs McGinniss, Seeing Eye Dog by Aaron Augenblick, Requiem by Roger Oda, Ski Jumping Pairs by Riichiro Mashima, The Toll Collector by Rachel Johnson and Tunanooda by David Zackin. Includes QuickTime movie clips!
Posted In | Magazines: AnimationWorld | Columns: Festivals

Within the world of animation, most experimentation occurs within short format productions, whether they be high-budgeted commercials, low-budgeted independent shorts or something in between. The growing number of short film festivals around the world attest to the vitality of these works, but there are few other venues for exhibition of them or even written reviews. As a result, distribution tends to be difficult and irregular. On a regular basis, Animation World Magazine will highlight some of the most interesting with short, descriptive overviews.

If you have the QuickTime plug-in, you can view a clip from each film by simply clicking the image.

This Month:

Plugs McGinniss, Seeing Eye Dog (2003), 4 min., directed by Aaron Augenblick, USA. Info: Aaron Augenblick, Augenblick Studios. Email: info@augenblickstudios.com. Web: www.augenblickstudios.com.

Requiem (2003), 3.25 min., directed by Roger Oda, USA. Info: Roger Oda. Email: roda92@yahoo.com.

Ski Jumping Pairs (2002), 5.5 min., directed by Riichiro Mashima, Japan. Info: Riichiro Mashima. Email: info@jump-pair.com. Web: www.jump-pair.com.

The Toll Collector (2002), 10 min., directed by Rachel Johnson, USA. Info: Rachel Johnson. Tel: 917-549-1979. Email: rachel@thetollcollector.com. Web: www.thetollcollector.com.

Tunanooda (2002), 10 min., directed by David Zackin, USA. Info: David Zackin, 459 3rd Ave., Apt. 3, Brooklyn, NY 11215. Email: djzackin@hotmail.com.

Plugs McGinniss gets his blind owner into trouble. All characters, stories and art © 2003 by Augenblick Studios.

Plugs McGinniss, Seeing Eye Dog
Inspired in part by Budweiser's idiotic "Spuds McKenzie" campaign (and in particular the disturbing suggestion that its canine protagonist "was a heavy drinker who was apparently mating with human women"), director Aaron Augenblick has created an agreeably jaundiced sketch about a dissolute canine and his supercilious blind owner. The film, which was hand-drawn in Flash MX, is as rich in visual design and attitude as it is thin in content, although there are a few funny ideas floating around, and the hyper-literate VO sustains one's interest when the visuals flag. Augenblick's professed love of Fleischer Studios cartoons and other early animation is evident in his retro style, which is generally very effective and needs only a stronger narrative structure to support it.

Aaron Augenblick attended the School of Visual Arts in New York, where he made the award-winning shorts, The Wire (1995) and The Midnight Carnival (1997). After working for several years at MTV Animation, he founded Augenblick Studios, which has produced shows for the Cartoon Network, Comedy Central, PBS, Nickelodeon and many others. The studio's own productions include Ramblin' Man (2000), Drunky (2001) and the upcoming series, House Arrest. Plugs McGinnis has screened at Annecy, the Annapolis Film Festival and the Filthy Animation Festival.







Comments


AAaarrrgg!!! wuz THAT...IT!!? wuz THAT all they(festivals) could come up-with?? AWN is (where) i look for anything 'new' in animation,and my reason for 'looking'...is simply to compare my own concept-yet to be animated, (see 80 images at sito.org i am the first 'artist' on the 500+ artist list+ any artist can upload for FREE!) regarding to what the 'winners' -showcased in this article may be "up-too". even the writer seems a bit depressed with not much positive to say? and it seems that ALL these 'winners' were lacking ANY-i say ANY... visual-genuine-new creative content. this should 'inspire' most competition-creatives...who perhaps have much better ideas-images-stories.oh-but it certaintly echos the roughly paraphrased comments by the 'pimp' who had to 'judge' -sort through tons of ''junk' animation(ottawa festival)entrants-with resulting...nightmare reactions-from bad animation. furthermore,one wonders if the BEST creatives in animation are being given the option to really show their 'stuff'.a simple anology would be when a football player walks onto the pro field-try-outs,with no known background and makes the team. looking for 'grants' for such (animation)projects which take real money, can also be a 'nightmare'. i just found the 'gugginheim' grant foundation-with an application page-pages...which required a(another nightmare) weeks-worth of detailed information-rules-forms to be filled-requirements-stipulations- deadlines- +'educational accomplishments -contests won-galleries exhibited- articles written-...ARRRGGG!!! and do these folks realize that artists are very BUSY creating their art, and most do not have a personal 'secretary' to attend to all this crap? the money -if you win a grant also requires 'follow-up' and usually will be in the amount of '34,000." average.i would need at least that much for the launching of my project( in animation) but the gauntlet these grant folks -and animation festivals make one 'jump-thru' ...may be WHY not much 'good stuff' ever sees DAYLIGHT! the whole system needs an entire OVERHAUL.. or more "BLAH" pablum ameature crap will continue to fill the festival toilets-with the 'stink' overflowing... well, i say:it's time to "FLUSH"! dawk
dale mc farlane (not verified) | Thu, 07/31/2003 - 00:00 | Permalink

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