After Espinho, Trouble in Portugal


Problems in the Profession
With a very small domestic market and a particularly weak production capacity, Portuguese film has always been dependant on public funding.
The Festival daily newspaper was unequivocal in its coverage of the current "famine" within Portuguese animation. At the closing night ceremony, Festival director Antonio Gaio presented a letter to the Ministry of Culture representative, written by the ASIFA Board to express its concern over the fate of animation in Portugal. Apparently all cultural budgets have suffered drastic cuts, and particularly that of ICAM, the state department offshoot which finances more or less all-Portuguese production.
The threat hanging over the existence of Porto's new Casa de Animação have since confirmed that Portugal's new policy risks driving its local animation into the ground: only recently opened, the Casa de Animação is a cultural institution initiated by Abi Feijó and a small team of enthusiasts. Suddenly its future has been seriously jeopardized. In less than two years of operation, it has to its credit a number of conferences, visiting filmmakers and fine retrospectives and/or exhibitions (Swiss animation, Starewicz and Aardman). There was a real will to make Porto, the historic capital of Portuguese cinema, a new center for animation. Valence, France's Folimage and la Poudrière were probably examples it had in mind with this initiative, even though the Casa could in no way rely on the busy production schedule of a studio. Creating the Casa was a bold and difficult undertaking, but one which seemed to have the support of institutions like ICAM. Since the Casa began operations, general elections have taken place and the neo-conservative government clearly has little sympathy with the project. An appeal to the Portuguese government has been launched and Abi Feijó has, along with other artists, created "APRIL" (Regional Political Association of Local Intervention), which aims to lobby political decision-makers. At the time of writing, the Casa's management still do not know if their funding will be maintained by ICAM over the coming month. Nonetheless they envision some support from local authorities and possible sponsors, but their situation is so precarious that it makes it impossible for them to continue planning their programs. So it is clear that for Portuguese animation overall the situation is very troubled indeed.
Emails of support and questions can be sent to mail@casa-da-animacao.pt. For more information about Casa de Animação, visit www.casa-da-animacao.pt (in Portuguese).
Philippe Moins is a writer and teacher, and also the co-director of Anima 2003.
























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