My Generation?
Curious-er and Curious-er
Fortunately for CN, the cartoons made during this period are "hot,"
gaining the endorsement of GenXers such as Timothy and Kevin Burke,
who sent these programs a cuddly love letter with their book Saturday
Morning Fever. Unfortunately, with few exceptions, many of these
cartoons exemplify how standardization, poor quality, minuscule financing
and fuss-budget "consultants" with pro-social agendas can
drain animation of all its magic and wonder. For better or worse,
Boomerang is a historical record of a well-defined generation's favorite
cartoons...but possibly not the generation described by Betty Cohen
or suggested by the network's title.
Curious-er and Curious-er
Fortunately for CN, the cartoons made during this period are "hot,"
gaining the endorsement of GenXers such as Timothy and Kevin Burke,
who sent these programs a cuddly love letter with their book Saturday
Morning Fever. Unfortunately, with few exceptions, many of these
cartoons exemplify how standardization, poor quality, minuscule financing
and fuss-budget "consultants" with pro-social agendas can
drain animation of all its magic and wonder. For better or worse,
Boomerang is a historical record of a well-defined generation's favorite
cartoons...but possibly not the generation described by Betty Cohen
or suggested by the network's title.
I find this more curious than problematic, and I respect the right
of Turner Broadcasting, or Cartoon Network, to call their new entity
whatever they wish. It is amusing, however, to see true boomer cartoons
such as Tom and Jerry and Rocky and His Friends, or
the offerings of the Acme Hour, playing on Cartoon Network
at the same time that Boomerang is broadcasting Sealab 2020 and
Yogi's Space Race. My only real quibble is that Boomerang does
not seem to be part of the basic cable package and must be purchased
either separately or through a package upgrade. It seems to me that
Turner is charging people for the wrong network. Speaking as a genuine
boomer born in 1956, I think that Cartoon Network has the more desirable
lineup. I would pay extra to see Mo
Willem's frenetic assault on the "fourth wall" that
he calls Sheep in the Big City. I would dig up a few more shekels
to watch John
R. Dilworth and Courage the Cowardly Dog carry out their
minimalist revision of the American horror genre. I would pop a few
more pennies to enjoy the lively animation and snappy dialogue of
the underrated Mike, Lu and Og show. And I would bust my piggy
bank to see the City of Townsville eternally protected by The Powerpuff
Girls. But shelling out dough to view The Cattanooga Cats,
The Funky Phantom or Speed Buggy? With all due respect,
someone would have to pay me.
Ah, but I am only one humble journalist soon to be lost to the flow
of history. Boomerang is, at least, part of the process that assures
no cartoon ever goes to the cartoon graveyard. Thanks to this network's
current efforts, it is possible that 5,000 years from now future historians,
cultural archaeologists and animation fanatics can all sit down together
and watch Help! It's the Hair Bear Bunch! without questioning
whether this was an example of animal worship, tribal ritual or archetypal
epic. Figuring out what era of audiences it was aimed at, however,
might be a different story since the matter is evidently not clear
among the Turner networks themselves.
Martin "Dr. Toon" Goodman is a longtime student and fan of animation.
He lives in Anderson, Indiana.

























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