Growing Pains
Case Study #6: Prime Time Crashes What will it take to bring animation to adult audiences? A good answer
might start with a solid expository script. Animation, primarily a
visual medium, is far too cluttered these days with dialogue (especially
the "hip," self-referential sort) and potentially great
series have been hamstrung by over-written scripts. Perhaps today's
writers feel that the dialogue has to be as lively as the animated
characters in order to work, but in truth, animation works best with
lessdialogue and lessadherence to typical storytelling
formulas. While it is generally a mistake to animate anything that
could be filmed live, most films today can contain up to 40% of their
shots enhanced by CGI.
The best bet for a great animated adult feature just might be an action-adventure
flick that would have contained minimal dialogue and wowser SPX if
filmed live in the first place.
As this was being written, God the Devil and Bobwas being
dropped by NBC. Clerkshas been cancelled by ABC after only
two episodes. Dilbert
died an undeserved death. The
PJ shas yet to air again on a regular schedule. Mission
Hill, despite a recent award at the Cartoons On The Bay Festival,
will be lucky to keep breathing. MTV Animation may be going the way
of the dodo, despite the cult success of Daria.And we can all
see where such efforts as Spawn and Spicy Citygot HBO
Animation after all their hype regarding "animation growing up."
Family Guyand Home Movieshave seen too many setbacks
and struggles, although Home Moviesis finding a new home on
Cartoon
Network and Family
Guyseems to be somehow holding on. Several other series in
development are now on hold, and the much-vaunted prime time adult
animation boom is beginning to lose momentum. Some people in the industry
blame the product, but it is equally likely that this culture still
has difficulty accepting animation as adult entertainment.
A second answer might be improvements in CGI. Max Headroom is ancient
history; Lara Croft, Cyberlucy, and more recently Ananova are today's
prototypes for the increasingly lifelike humans we will see animated
in the immediate future. Experiments with more realistic human figures
continue at every animation studio and software company in the world;
"R" rated scenes using animated characters will soon be
startlingly realistic. Coupled with solid dramatic scripts, it might
be possible that audience identification with enhanced CGI characters
leads to a breakthrough in adult entertainment that more cartoonish
characters could not easily achieve. We may all see the day when a
major star consisting of nothing but pixels graces the cover of People. Finally, and perhaps cynically, a $200 million animated hit featuring
adult themes and situations will be needed in order to change cultural
attitudes, reverse a hundred year-old trend and persuade studios to
make major investments (including promotion) in more of the same.
Disney could have done it at any time during the 1990s, but opted
for Broadway-style productions or hero(ine)-comes-of-age pics. With
their "family" image on the line, The Mouse is likely to
continue to sit tight, and the breakthrough film is destined to come
from another source. Any takers? I certainly hope so. Martin "Dr. Toon" Goodman is a longtime student
and fan of animation. He lives in Anderson, Indiana.

























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