Disney: The Evil Empire?
Beginning in 1989, the Disney animation studio has produced some of the best films in the studios history. The Little Mermaid, Aladdin, Beauty and the Beast, and, more recently, Lilo and Stitch are new classics of American cinema. Even less than stellar efforts such as Hercules and Pocahontas easily outstripped the competition until DreamWorks showed up, and that company has a long way to go to usurp the Disney legacy. Disney is not the premier animation studio because shamans in Eisners pay have been sticking voodoo pins into Richard Rich or Don Bluth. Disney animation has been, and remains, extremely proficient at what it attempts to do. Disney also participated in studio team-ups that produced gems like Who Framed Roger Rabbit, and it was under the Disney aegis that Pixar was able to stun the world with the Toy Story films, Monsters, Inc. and Finding Nemo. Although the companies may soon be parting ways, the benefits to both (and audiences) have been tremendous.
The diversification of that same entertainment has led Disney to venues of presentation that no other studio has attempted. Disney has made use of contractual arrangements with the IMAX corporation, (headed by the son of ex-Disney savant Ub Iwerks), in order to present its films in six-story, surround sound glory, just as Walt would have wanted. Disney has parlayed other animated films into successful ice shows and Broadway presentations as well. This appears to represent successful entertainment more than successful attempts to enforce a conservative hegemony or further some gay/feminist/anti-religious agenda.
Speaking of diversification, despite the many howls of those who hate the dubs, the music or just the company, Disney has been instrumental in distributing the works of Hayao Miyazaki throughout the U.S., giving them a popularity that they might not have enjoyed without going into general release. One such masterpiece, Spirited Away, even bested Disneys efforts at the Academy Awards.
After a brief period where Disneys DVD releases were so penurious in terms of extras that original disc art was touted as a treat, the company changed its approach and began including voluminous amounts of material that added greatly to the enjoyment of the features. Many of Disneys greatest animated works of the Golden, Silver and Silicon Ages now come as Collectors Editions, featuring separate disks that offer detailed and often fascinating segments including deleted scenes, interviews and insights into production.
Compared to the amount of current material on DVD featuring classic and popular cartoons from other Golden Age studios, Disney comes off quite well. DVDs such as the Silly Symphony compendium or the acclaimed Mickey Mouse in Color/Black and White compilations were gifts to animation aficionados. Say if you will that these Collectors Editions are a ploy to make greater profit. The product appears to be well worth the extra price.
























i consider disney an evil corparation thats turned out pure crap since the 90s ended.
I've always disliked Disney characters, even when I was a little girl (I'm a pensioner now). I brought up five children, hopefully without influencing them too much. None of them liked Disney characters either. On a more earthy note, there's something which makes me quite uneasy about adults dressed from head to foot as animal film characters, hugging children and bouncing them on their laps. I don't think the hatred of Disney is due to jealousy, I think it's due to some inherent, intuitive, subconscious awareness of the 'not-rightness' of the whole Disney empire and it's creepy, ominous characters........
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