Notes from the Underground Part Six — From Mary Ellen Bute to Pierre Hébert, Animation in a Different Key!


Next, we will look at Steven Woloshen.
Like Richard Reeves, Steven also works directly on film, and like Reeves, he works on 35mm stock. However, he does not "make" his own music, he finds a piece he likes and, through repetitive listening, really becomes "one" with it.
Steven is having a visceral love affair with music through animation, and his work shows it. Anybody who ever has swung his arms to the sound of a band, as if he were the conductor, will know where Steven's uplifting animation comes from (I am reminded of the conducting of Sergiu Celibidache when I experience Steven's work on the big screen).
To be able to see his work in glorious CinemaScope is indeed a real treat.


Bru Ha Ha clip 1 and clip 2. © 2001 and 2002 by Steven Woloshen.
When presenting the above examples of "animation in a different key," I have intentionally refrained from getting into detailed descriptions of both the artists, and their work. Each one of them would alone easily demand more than one such article to be presented, as they deserve. I do hope however that the tidbits we just have seen (several of those are available online for the very first time) will give readers a sense of what these people can make visible.
I hope these works and many more like them will be increasingly more visible at animation festivals and elsewhere. It seems to me we are definitely ready for a break from teenager tantrums and the likes.
Last, but not least, we will look at Pierre Hébert.
If it is hard to do justice to the previous artists in such a short space, it is absolutely impossible to do that with Pierre. His long list of films speaks for itself, though his more recent work is, as far as I am concerned, truly a pioneering venture.
Pierre has showed a remarkable film intelligence over the years. Much of his existing work already reaches beyond "animation" even if much of that was done while he still worked at the NFB (he was there for nearly 35 years).
Amongst other projects, Pierre now works with his musician partner Bob Ostertag. Together they have taken their Between Science and Garbage performance to many places around the world.























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