Notes from the Underground Part Six — From Mary Ellen Bute to Pierre Hébert, Animation in a Different Key!

In this final installment of articles exploring animation as commercial entertainment and as an art form, Jean Detheux heralds a group of animators who listened to their own music and delivered it up on the animated screen.
Posted In | Magazines: AnimationWorld | Columns: DigitalNotes

Sea Song (left) and 1:1 by Richard Reeves.

Next, we will look at Steven Woloshen.

Like Richard Reeves, Steven also works directly on film, and like Reeves, he works on 35mm stock. However, he does not "make" his own music, he finds a piece he likes and, through repetitive listening, really becomes "one" with it.

Steven is having a visceral love affair with music through animation, and his work shows it. Anybody who ever has swung his arms to the sound of a band, as if he were the conductor, will know where Steven's uplifting animation comes from (I am reminded of the conducting of Sergiu Celibidache when I experience Steven's work on the big screen).

To be able to see his work in glorious CinemaScope is indeed a real treat.

Steven Woloshen's Ditty Dot Comma clip 1, clip 2 and clip 3 (left) and
Bru Ha Ha clip 1 and clip 2. © 2001 and 2002 by Steven Woloshen.

When presenting the above examples of "animation in a different key," I have intentionally refrained from getting into detailed descriptions of both the artists, and their work. Each one of them would alone easily demand more than one such article to be presented, as they deserve. I do hope however that the tidbits we just have seen (several of those are available online for the very first time) will give readers a sense of what these people can make visible.

I hope these works and many more like them will be increasingly more visible at animation festivals and elsewhere. It seems to me we are definitely ready for a break from teenager tantrums and the likes.

Last, but not least, we will look at Pierre Hébert.

If it is hard to do justice to the previous artists in such a short space, it is absolutely impossible to do that with Pierre. His long list of films speaks for itself, though his more recent work is, as far as I am concerned, truly a pioneering venture.

Pierre has showed a remarkable film intelligence over the years. Much of his existing work already reaches beyond "animation" even if much of that was done while he still worked at the NFB (he was there for nearly 35 years).

Amongst other projects, Pierre now works with his musician partner Bob Ostertag. Together they have taken their Between Science and Garbage performance to many places around the world.







Comments


Thanks a lot. I needed that.
Daniel Poeira (not verified) | Tue, 07/08/2003 - 00:00 | Permalink
To Tony Saliste: You say: “yes, pablum, as you call it, is pervasive today... but, like they say about tv, that's what the remote is for. mindless stupidity is present in many areas, and all some are capable of... leave them to it.” Tony, zapping is only as good as that which we can zap to. There are practically no alternatives to pabulum these days, the “suits” have managed, through decades of enforced dumbing down programming, to create expectations in the minds of the viewers so that pabulum is what is mostly expected (and offered). Read the comments to my six articles, time and again you will see this visceral reaction to my positing “Art” as important and distinct from (indeed "better than") “entertainment,” accusing me of being “elitist.” Animation is this amazing medium that is being totally swamped by mindless stupidity, “escapism” (“Prozac”) is the dominant force in it, and I most certainly see no openness to something a bit more “mature,” more life-sustaining. Even animation festivals are under the crunch of budget cuts unless they go even more into commercial servitude. And as for TV, that is utterly hopeless, when was the last time you had a chance to see quality animation on it, with or without cable? You say: “the problem, and i think you will agree, is so much of it is 'published' and deemed as 'art'... perhaps to them it is. others of us may not 'like' that, but, so what? if no one pays attention to it, it, too, shall pass. when the 'suits' have squeezed the last nickle out of any fad, true 'art' will survive.” Indeed, we are in a situation that is quite amazing, the “brainwashing” has been so very successful, the expectations have been shaped so “well,” and the frame of reference contained even “better” (the Weltanschauung), the more one focuses on intrinsic worth and inherent universal “stuff,” the more one appears to be an “outsider.” As I said in some of my previous writing, the basic belief is that “the eye works like a camera and we all see the same thing.” That is likely why so many “different” major animation productions actually look the same to me, they all are born of the same world view. You say: “if it takes another 50 years, i say, have at it, knock yourselves out. just don't expect to make a fan out of me.” You must be a lot younger than me, I most definitely do not have 50 years ahead of me, far from it. Besides, why should one wait? If one can switch from being a mere viewer to becoming a doer, now’s the (only?) time!
Jean Detheux (not verified) | Sat, 07/05/2003 - 00:00 | Permalink
jean, what you say is true, if a bit too far in the other direction... i'm sure your intent was not to stifle exploration of the media, including animation and music. there are more than two sides to animation, as in all art, stories, or lies. yes, pablum, as you call it, is pervasive today... but, like they say about tv, that's what the remote is for. mindless stupidity is present in many areas, and all some are capable of... leave them to it. the problem, and i think you will agree, is so much of it is 'published' and deemed as 'art'... perhaps to them it is. others of us may not 'like' that, but, so what? if no one pays attention to it, it, too, shall pass. when the 'suits' have squeezed the last nickle out of any fad, true 'art' will survive. if it takes another 50 years, i say, have at it, knock yourselves out. just don't expect to make a fan out of me.
tony saliste (not verified) | Thu, 07/03/2003 - 00:00 | Permalink

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