The Career Coach: Discrimination

The Career Coach takes time to look at sexism, racism and homophobia (and all the other phobias) in the 3D animation industry.
Posted In | Magazines: AnimationWorld | Columns: Career Coach

A month of springtime and birth, May is a perfect time for honoring mothers with Mother’s Day. My mother taught me many things when I was a kid and continues to guide me today. A non-judgmental, open-minded person, my mother welcomes strangers into her life. A plaque near the front door of my childhood home summed up what my mother taught us: “This house welcomes you no matter what race, religion, or national origin you are.” My mother lives what she believes. She married a person from a different religion and a different country.

“All are welcome here” is the policy I grew up with. It should be the policy of every employer. Unfortunately, sometimes it isn’t.

Recently someone wrote to me: “Hey Career Coach, how about an article on sexism, racism and homophobia (and all the other phobias) in the 3D animation industry.”

Because you can’t change your race and it’s a big hassle to change your sex or sexual orientation, we have laws in the United States against discrimination.

Discrimination is illegal in the U.S.
In the U.S. Title VII of The Civil Rights Act of 1964 prohibits employment discrimination based on race, color, religion, sex or national origin. In the United States, federal law covers employers with 15 or more employees. State laws cover employers with fewer than 15 employees.

When your reel is reviewed, unless a prospective employer knows you, he won’t know your race, age or what your sexual orientation is. And frankly, most companies don’t care. Companies really care about the work they see on your demo reel and if it is good enough to call you in for an interview. If you are a producer, they care about what projects you’ve worked on as demonstrated by your résumé.

Discrimination may not be the reason you don’t get the job. It could be that someone else’s reel is better, another applicant might have more experience or skill, the supervisor has worked with another applicant before and knows that she can deliver, or the visual effects producer has to hire her brother-in-law. Because of these factors, you may not be able to prove discrimination occurred.

Be sure that you don’t have a bias yourself. Perhaps that remark was innocent and you are reading more into it because you are oversensitive. Also be sure you are not looking for someone else to blame for any shortcomings you might have.

But if discrimination or an unhealthy work situation does exist, and you have documentation of when it occurs, and you have taken steps to make your employer aware of the situation and he has done nothing about it, you may decide to take the information to the Equal Employment Opportunity Commission. They will help you decide on the appropriate action and can help file a lawsuit if one is warranted.

The Next Move is Yours
If you don’t want to hassle with a lawsuit, which can be time consuming and emotionally demanding, your next step is to get your marketing materials ready and start searching for a new job.

Life is too short to be miserable. There are plenty of companies who are thrilled to find experienced and talented people. Meet with potential employers during any time off — weekends, after work, or during lunch or before work. Be sure not to denigrate your current employer during the interview. You’ll soon find an employer who values the skills you offer.

Protect Your Reputation
Decide how soon you can leave your current employer without leaving him in a lurch. Finish any project if the delivery date is within a two-month time frame.

As soon as you land a new job and get a written offer letter, let your current employer know your end date and ask for a written letter of reference or recommendation. If your current employer conducts an exit interview with you, give honest feedback about the discrimination problem. If the boss is unaware of the problem, you’ll be doing him a favor.







Comments


glIyLbu (not verified) | Mon, 08/29/2011 - 02:48 | Permalink
I get the feeling that the author is being as technically correct as possible, trying to ride the line of common sense with a bit of personal emotional reaction built in. It's such a dicey area, and crying wolf can also have a tremendously sorrowful and negative outcome. It's such a personally explosive experience, to feel like who you are, as opposed to what you can do and provide is being negated. I personally would like a discussion or article on how few minorites there are in the animation business. I was so sad and put off by how white everything is/was when I was entering into commercial production, but it didn't begin or end there. I didn't see minorities in school for animation, and I don't see them in educational roles. A school I worked at as a teacher had a mission to try and be more inclusive of all walks, and what I thought was "geez, good luck finding them." Is animation and/or animation education such an elitist institution (expensive as hell, pulsing in white history) that there is no allure or potential to make a real and positive change? I had the chance to work with some inner-city kids in LA who absolutely fell in love with animation, and we had the fortune of having some really sharp kids that made the effort to look at and move towards college. But we were there to help them out, and I believe it made a huge difference in the outcome. I'd love to hear any thoughts on this, or as I said, an article. Lorelei
Lorelei P (not verified) | Wed, 06/29/2005 - 00:00 | Permalink
Maureen F. is absolutely correct about the documentation of any instances that seem like discrimination and/or harassment. Documentation was the advice I received from employment lawyer, because you don't know at the outset if it will develop into a pattern. Additionally, the law requires detailed documentation to pursue any complaints within the company, the union and the court system. Quite often it has been my experience that if a hostile work environment does exist, it is because that is what management has established. In these cases, looking to management for relief often leads to exacerbating the isolation. Getting out before it turns violent is indeed the better option. I would argue that homophobia remains a virulent, socially accepted form of discrimination, particularly against lesbian women. In my experience it can turn violent not only in the workplace but also walking to your car after work. It is NEVER safe to assume that management or the law will protect a woman from a coworkers hostility. It is better to be proactive and not accept a victim mindset, and possibly get the crap beat out of you by a coworker. Think 3D about all the "career" problems you'd have then.
Tricia F (not verified) | Thu, 05/12/2005 - 00:00 | Permalink
I love it that this article is not only closely related specifically to animation, but even focuses on more narrow field - 3D industry. My favorite parts are the idea that a person might not be hired for a job not only as a result of descrimination but it could also have something to do with his/her skill or experience, and the excellent suggestions on how to deal with discrimination situation at work! You can see that this column is written by a real expert with lots of experience of dealing with a variety of most complex situations! And the columnist's mom, I love this woman!!! Doesn't believe in discriminating anybody at all!!! and the advice of choosing a company that does not discriminate it's 3D animators based on their religion, ethnicity and sexual orientation! I think that's a good approach, you just probably ask each employer that offers you a job what is their policy regarding discrimination and choose the one that against it rather than for it.
Antanas Vardas (not verified) | Tue, 05/10/2005 - 00:00 | Permalink

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