VFX from Inception

Paul Franklin takes us through the machinations of Christopher Nolan's hot mind-bender.
Posted In | Magazines: VFXWorld | Site Categories: CG, Films, Visual Effects

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Watching draw bridges being raised over the Chicago River inspired the design of the folding street. All images courtesy of Warner Bros.

A lot has already been written about the relationship between dreams and movies in Inception. At its core, though, it's really about the all-consuming struggle to create an original work. So imagine Double Negative's challenge in trying to help visualize multiple dream states from director Chris Nolan's furtive imagination all interacting together.

It all began with architecture. "Whether it's through the manipulation of structures to show the power of the dreamers, as in the folding streets of Paris, or in the crumbling towers of Limbo, which symbolize the advancing collapse of Cobb's mental state [played by Leonardo DiCaprio], the design of the built environment is always significant," explains Paul Franklin, the overall visual effects supervisor, who collaborated with Dneg's Pete Bebb, the CG supervisor, and Andy Lockley, the 2D supervisor, among others.

Production Designer Guy Dyas and his art department team gathered an extensive library of architectural reference, which the vfx team then built upon through post- production to develop a strong language of structure and style that drew heavily upon the history of modern architecture throughout the 20th century, especially for the climactic scenes in Limbo.

"In terms of the way that the dream worlds were depicted cinematically, the aim was to present everything with the conviction of total reality, as it was essential to the plot that the dreams appear real to the people experiencing them," Franklin continues. "The visual effects of Inception needed to integrate seamlessly with Wally Pfister's stunning cinematography which -- for the most part -- was hand-held in full daylight, giving it an immediacy that placed extraordinary demands on the vfx pipeline and the team at Double Negative.

"With the Paris sequences, Guy Dyas and his team had already produced some early concept images of how the folded streets would look when completed, but there was no indication of how we might go from normality to the 'cube city.' One of the great things about Inception was that it was the third time around for me on a Chris Nolan film, so I was able to draw on things that we had both experienced whilst working on the Batman films: We talked about watching the draw bridges over the Chicago River being raised, which include sidewalks and lamp posts as well as the road surface and how, from certain viewpoints, it looked as if the street itself were lifting up on a giant hinge. This then became the basis for the design of the folding street, hidden mechanisms suggesting a logical underpinning to Ariadne's dream world [played by Ellen Page]. Dneg CG Supervisor Ali Wortman created a previs animation of the folding street, which Chris then used to cue DiCaprio and Page as they stood on the Paris location -- Chris holding my laptop in his hands and directing the actors to look at the imaginary streets as they arced overhead."







Comments


Last one to utiilze this is a rotten egg!

Cassara (not verified) | Wed, 09/28/2011 - 18:49 | Permalink
nZYAcFEu (not verified) | Sun, 08/28/2011 - 21:03 | Permalink

I'm shocked that I found this info so eailsy.

Idalia (not verified) | Fri, 08/19/2011 - 08:37 | Permalink
Till now , I haven't a chance to watch Inception :(
best online pha... | Wed, 07/20/2011 - 19:34 | Permalink
Dale Bernier's picture
4
The VFX in Inception are incredibly impressive. It’s interesting to read in detail how various images were created, from the streets of Paris folding over, to the collapsing buildings in Limbo City. The success of this film is owed in large part to the VFX and the talented artists behind it all. I think a big part of this success was due to the fact that, as this article states, the filmmakers approached a VFX studio directly to handle the film in its entirety. This allows for better cooperation between artists and a broad scale understanding of the film’s intentions, rather than parceling off the film into pieces to be assigned to different studios, which creates a disjointed artistic experience.

 

Competition is high in the VFX industry and studios are often pitted against each other to decrease prices and save filmmaker’s money. It’s nice to see that such a successful blockbuster film relied on one studio for its effects. Hopefully, this trend can continue thus better valuing our artists’ work, while also creating innovative and groundbreaking films such as Inception. I write a blog about the state of the VFX industry and am always interested in different opinions. If you want to check out my blog please google Boogie Studio.
Dale Bernier | Wed, 01/26/2011 - 12:26 | Permalink

excellent news

kito (not verified) | Fri, 09/17/2010 - 04:19 | Permalink

Carrying out the entire complex process of presenting separate frames into a fully featured cinema or movie on this type of highly dignified scale is truly awesome and splendid. The VFX was in the hand of the Masters of the trade..so no question in that..the entire movie is truly beautiful and is a new benchmark.
Thanks for sharing the idea: The most resilient parasite!

soumyadev bose (not verified) | Tue, 08/31/2010 - 08:11 | Permalink

Wonderful article, thank you AWN & VFXWorld! :)

Simon Gravel (not verified) | Wed, 08/18/2010 - 10:42 | Permalink

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