Directors Talk Film Faves

Some Best Animated Feature Oscar contenders tell us about the Big Five that matter most to them.
Posted In | Magazines: AnimationWorld | Site Categories: CG, Films, Stop-Motion, Visual Effects

Adam Elliot (Mary and Max) 
1.) My Life as a Dog : I first saw this on VHS in the early '90s. I simply adored this simple yet often profound childhood perspective. So funny, original, moving and poetic. It has influenced all my films, especially, <Brother>. 

2.) The Elephant Man: One of the first adult features I ever saw as a child. I had no idea who David Lynch was but loved the wonderful balance of light and dark. The black-and-white tones and engrossing cinematography showed me that dark subject matter can be incredibly nourishing and life affirming no matter how tragic the ending.

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Adam Elliot is partial to My Life as a Dog, Elephant Man and The Piano.
3.) Nuts in May: One of Mike Leigh's early features about camping in England in the seventies. I only saw this for the first time a few years ago on DVD and it instantly became one of my favorites. I wouldn't say it has influenced my own work, but love it because it is so incredibly funny and has not seemed to date in my eyes.

4.) One Flew Over the Cuckoo's Nest: I saw this at the cinema when I was about 8 or 9. I was way too young to see it but it deeply impressed upon me and I have seen it many times since: Another example of a tragic yet uplifting end to a film that works perfectly. The conclusion to Mary and Max is my own egotistical attempt to try and emulate this emotive and nourishing ending.

5.) The Piano: Saw it in the mid-'90s and fell in love with the score. Awakened me to the importance of music and how it can be the vehicle that drives the film. Can you imagine this film without music?

Conrad Vernon (Monsters vs. Aliens)
The most influential movies of my life, in no particular order:

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Chitty Chitty Bang Bang and Once Upon a Time in the West shine with Conrad Vernon and Rob Letterman.
1.) Chitty Chitty Bang Bang

2.) Hedwig and the Angry Inch 

3.) Young Frankenstein

4.) Annie Hall

5.) 10

Rob Letterman (Monsters vs. Aliens)
This is an impossible question because I don't have five favorite movies, I have 5,000. But here it goes:

1.) Once Upon a Time in the West: Sergio Leone is a master filmmaker. All of his films have been a visual, musical and storytelling influence on me. But this film, in particular, is my favorite for one reason: It has the greatest opening credit sequence I have ever seen.

2.) The Professionals: I love stories about bad guys doing the right thing, and I especially love this one [by Richard Brooks] because of the twist in the middle of the movie, which I don't want to give away if you haven't seen it. I was also heavily influenced by Conrad Hall's cinematography.

3.) Full Metal Jacket: In my opinion Kubrick makes perfect movies and the only reason I listed Full Metal Jacket instead of Strangelove, Paths of Glory and the rest, is because Full Metal Jacket was the first Kubrick movie I saw when I was a kid and it made me go out and watch all his other films.







Comments


I haven't seen either of the three but the picture sure looks exciting. Like some sort of 3D or something, isn't it?

-Jen @shakenutrition(dot)com

Shakeology Reviews (not verified) | Tue, 11/16/2010 - 05:10 | Permalink

Creating good animation films take a large amount of hard work and effort. Nice effects

Cheap Host (not verified) | Fri, 03/12/2010 - 02:31 | Permalink

One Flew Over the Cuckoo's Nest and Jungle Book will always remind me of my childhood. I have not seen half of the movies mentioned here and am looking at imdb for more reviews ;-) Toy Story is probably the only one that I have seen but was not 'VERY' impressed. I like movies to have a great story, 'best animations' don't make them good.

martin.wilmer98 | Mon, 03/01/2010 - 21:13 | Permalink

When I was a kid, the experience of watching "The 7th Voyage of Sinbad" started my admiration for the music of Bernard Herrmann, and confirmed my love for fantasy cinema (and stop-motion animation), in an unconscious way. Before this, I had seen "It Came from Beneath the Sea" (1955), a B&W movie in which an octopus created by Ray Harryhausen climbed the Golden Gate Bridge... But this time Harryhausen's creatures were in full color, the exotic story was inspired by tales from the "Arabian Nights", and the magic was enhanced by Herrmann's score. The film had princess Parisa reduced to less than four inches, cyclops running crazy, a dragon, a bird with two heads, an evil magician called Sokura, a boy genie, and the celebrated skeleton duel, but I was mainly impressed by Sokura's act of magic during the Sultan's ball, crossing a snake with Parisa's aide (actress Nana de Herrera, who looked weird even before the transformation.) The Harryhausen-Herrmann collaboration originated two more Sinbad movies, and other favorites, as "Mysterious Island", "Jason and the Argonauts" and "The 3 Worlds of Gulliver", but "The 7th Voyage of Sinbad" is number one in my list of the collaborators' films.

 

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addisonberly | Sun, 02/28/2010 - 22:35 | Permalink
4

once upon a time cool effect...

SADRONALIN | Mon, 12/21/2009 - 06:58 | Permalink

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