Two Big Chunks of Anime Eye Candy: Appleseed & Sky Blue

Fred Patten compares and contrasts two new theatrical releases from Asia -- Japan’s Appleseed and South Korea’s Sky Blue.
Posted In | Magazines: AnimationWorld | Columns: Anime

This is seen through the eyes of Deunan Knute, a young woman who is an ace commando and one of the last soldiers to survive in the war-ravaged world. She is saved at the last moment from military robots programmed to kill all humans, and brought to Olympus, a paradise on Earth whose existence she never suspected. I would have to see Appleseed again to count how many times the word “utopia” is used in the first half-hour to describe it; yet Deunan has not been there for more than a day before Olympus-designed killer robots are sent to hunt her down, apparently for siding with the bioroid administrators. It seems that the military, consisting entirely of bigoted humans controlled by their destructive emotions, are planning a coup to overthrow the bioroids. Much really spectacular destruction ensues, not leaving much of Olympus still standing at the conclusion although the bioroids continue to cheerfully refer to it as such a utopia.

This is the second time that Appleseed has been animated. The first time was as an April 1988 70-minute direct-to-video movie, produced by the Gainax and A.I.C. studios. (It was first released in America on video by U.S. Renditions in August 1991. The current DVD release by Manga Entertainment came out in April 2001.)

Anime fans seldom mention this earlier Appleseed because the animation is of low quality, and the story seems like a standard TV police-versus-terrorists plot despite its futuristic setting. Yet in comparison, its story is much more plausible. In the 1988 version, the world has been devastated by the world war but civilization is not completely destroyed. The remnants of the old nations still exist, and dictators are greedy for Olympus’ wealth and technology; so Olympus is justified in having a small military for self-defense. In the new movie, Earth seems to be an uninhabitable wasteland outside of Olympus, so why does the city need a huge military with even bigger and deadlier killer robots? In the earlier movie, humans and bioroids are shown living together in harmony.

The “Free Human Liberation Alliance” terrorists are revealed to be a tiny radical fringe with no popular support. In the new movie practically no “true humans” are seen except those in the military, and there is no apparent justification for their vicious prejudice against bioroids. Unreasoning, violent prejudice does exist, but shared by the entire military and openly encouraged by its commanding officers? I also got annoyed after a few too many battle scenes stretched into saved-at-the-last-possible-moment rescues. This Appleseed seems adapted less from Shirow’s novel than from a videogame version of it.

Both Sky Blue and Appleseed have been getting favorable reviews filled with descriptions like “beautiful,” “dazzling” and “spectacular.” Yet there are few words of praise for the stories, for obvious reasons. They will be popular with anime fans, and fans of sci-fi movies; and Appleseed is a treat for fans of violent videogames. But neither of these will make anime look ready to appeal to general audiences.

Fred Patten has written on anime for fan and professional magazines since the late 1970s. He wrote the liner notes for Rhino Entertainment’s The Best of Anime music CD (1998), and was a contributor to The World Encyclopedia of Cartoons, 2nd Edition, ed. by Maurice Horn (1999) and Animation in Asia and the Pacific, ed. by John A. Lent (2001). He wrote the entries on Japanese and Chinese animation for Animation Art, ed. by Jerry Beck (2004). A collection of his writings, Watching Anime, Reading Manga (2004) was recently published.







Comments


Wonderful Days is rather beautiful and quite brilliant on a lot of levels. I am a professional artist, writer, and filmmaker. I do not speak as a critic but rather as a creator. It is alarmingly sad that American theatrical animation has mostly limited itself to talking and singing animals who tell wise cracks and move like their motions are still being based on film footage of "real people". The asian theatrical animation markets seem to have the guts and vision to tell any kind of story, in any kind of genre. And they are also not afraid to come up with their own visual vocabulary, and not merely be derivative of live-action cinema (like Disney, and Warner Bros.) As for stories, well, who else is even trying to tell stories outside of asian animation. Shreck? Lion King? Get real. Musical numbers, and sight gags hardly constitute the epitome of narrative storytelling. Asian animation is so diverse in the range of human experience they depict that it's easy to be spoiled and pick and choose what works and doesn't work. But let's not forget, American animation has yet to even try to do a straight action film, yet alone depict violence in an adult way. So before we start dubbing films like Appleseed and Wonderful Days as narrative failures "typical of the asian market" we need to dubb the entire U.S. movie animation market as a failure for not even attempting to construct meaningful narratives around all the diverse experiences humanity provides. Mr Patten seems to speak with disdain when he sarcastically refers to Japan and Korea as, "the worlds other leading nations in animation". He even refers to their mainstream offerings as , "not yet ready for general audiences" . Such geocentrism reeks of patriotic jealousy and chauvinism. The truth is, the theatrical animation of Japan and Korea already has a gneral audience in their own nations and abroad. They don't need U.S. audiences to survive, or U.S. critical approval to be validated. When their movies visits our shores it represents a chance for America to be included in the "general audience". An audience we have excluded ourselves from by producing idiosynchratically generic and alienating work. Moreover, we have removed ourselves from the "general" market of animation. Sorry, the cgi catalogs of Pixar and Dreamworks doesn't count and no one besides animators in L.A. really considers that stuff to be animation any way. Also, the cgi family genre has lately been performing negligibly overseas. Until U.S. theatrical animation can even try to make a wide realease "narrative failure" like Appleseed, American animation will remain as irrelevant as it has recently become. Oh, and as for Mr Patten's remark about the implausible depiction of the unilateral bigotry shown in Appleseed. Well, let's just say that for a few hundred years our nation's military was pretty unanimous in their bigotry against the native americans (or maybe their wholesale slaughter was the result of second guessing and tolerance). Any depiction of bigotry as a form of unreasonable insanity is okay in my book. There is no rationale for it. Attempts should not be made to portray racist acts with (as Mr Patten put it) "justification". There is no justification for it. That's why it's unjust. That's why it's evil. Here's hoping that in this amazing country that, "The Incredibles" isn't as good as it gets. If so, I'll just do what the rest of the world is doing. I'll go watch some anime.
Omar Lewis (not verified) | Sun, 12/25/2005 - 01:00 | Permalink
Hi, this is a reply to Justin Vanpelt. Yes, I enjoy the light comedy of American 2D cartoon films as well, but that's about all they offer, very light stuff. Just because it's sometime hard to understand animes from a western perspective, after all, they often rely on their audiences' awareness of traditional folklore and Shintoism (the same way Disney product relies on their audiences' vast knowledge of celebrities and TV). Yes, films like Akira can seem impenetrable in their complex plots, but at least they're not just tired rehashings of blueprint storylines used again and again on American sitcoms and family films alike. And the animation, come off it, the films you described can't hold a candle to stuff produced a decade even a decade ago in Japan (and I'm not including Pixar and other 3D stuff here). Maybe try watching something easier to understand like Tokyo Godfathers or Grave Of The Fireflies, they're both very warm and easy to follow, but much more subtle and clever than any of those films you mentioned.
Sam Needham (not verified) | Wed, 02/02/2005 - 01:00 | Permalink
Wonderful Days was the greatest Anime to ever be released, apart from Ghost in The Shell and Innocence. I have watched these and many hundreds more Anime, and I have to say that to the extent of my knowledge Wonderful Days is the most moving movie ever created by man. The story isn't the main driving force of the movie as it is mostly a remake of Romeo and Juliet however the Music and Cinematic’s that constantly mixed all mediums, combining 2D, 3D, and Models to bring this excellent piece of artwork. I encourage anybody that hasn't seen the movie to go out and buy it. If your having any doubts: just watch the trailer http://kennoshi.org/wd/eng_teaser_trailer_high.wmv
Nick Jonsson (not verified) | Fri, 01/21/2005 - 01:00 | Permalink
"Too bad neither gave as much attention to their stories. But then, that is consistent with most features from “the world’s other leading animation nations,” isn’t it? " I whole heartily agree Mr. Patten. Appleseed's story can't compare to the craftsmanship of superior American storytelling. Home on the Range has a spectacular story that rivals the best of Japanese animation. That Cowboy Bebop stuff can’t hold a candle to talking Cows against a Yodeling villain. Let’s not forget the witty and charming story of Road to El Dorado. A fun and fancy free adventure of two men in the jungle can beat out anything that japanimation dish out.
Justin Vanpelt (not verified) | Fri, 01/21/2005 - 01:00 | Permalink

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