Mind Your Business: Title Your Toon

What's in a title? Does it matter for your project.
A lot and yes it does, respectively.
Last week I hosted a webinar, Pitching Animation, with animation producer Max Howard (The Iron Giant, Lion King, Igor) and one of the things we spoke about was the importance of great titles for animated series and movies.
Titles are important in both your pitch and in marketing your project. The title gives your audience, whether it's a studio executive or a movie-going audience, an instant idea of what your show or movie is about. First impressions are important.
For films, your title should relate to your story. That could be your lead character's name or the main action or theme of your movie.
Finding Nemo (the action of all the supporting characters for one of the lead characters)
Igor (the lead character)
How to Train Your Dragon (the actions of the lead character)
Rango (the lead characters name, although that's not obvious until you know details of the movie)
For TV, the best titles are usually the names or descriptions of your lead character(s).
SpongeBob SquarePants
Penguins of Madagascar
Dora the Explorer
Teen Titans
Ben 10
Fanboy and Chum Chum

Titles can also work against you. Mars Needs Moms is a terrible title, says Max. "A movie title about moms turns off the very core audience it was designed for. Boys looking for action don't really want their moms involved."
Even with the great designs and quirky storytelling of the amazing Berke Breathed (Bloom County), the Mars Needs Moms title turned off the potential audience. TotalFilm.com says, "Happy to report that the worst thing about Mars Needs Moms is the title." Hopefully over time the audience will get over the title. But the box office damage has already been done.
Another terrible title is Legend of the Guardians: The Owls of Ga'Hoole. Granted it's based on a popular series of books, but even the titles of the books, Guardians of Ga'Hoole, is a better title. We know they are owls as soon as we see the art on the poster.
As an avid animated movie-goer, this title turned me off.
Max agrees, but offers a caveat, "Long titles can be problematic, but if done properly they can start a conversation. However, they can be dangerous to fit onto a poster. You may have to use a magnifying glass to read the title."
We ran into the problems associated with a bad show title on one of our TV pitches.























Hey, that's poewfrul. Thanks for the news.
Likewise, the title "Toy Story" is a short, brilliant title.
In the opposite end I've always found the titles of the Don Bluth animations "All Dogs Go To Heaven" and "A Troll In Central Park" to be such a mouthful.
Thanks for the info, Mark. The only title I've come up with for my series idea turns out to be a video game title from a few years ago, though it doesn't seem like it was too popular of a game, made by a semi-big company I believe. I'm not nearly ready to pitch the series yet, so I'll keep my eye open for some other titles.
When naming a show, should you worry about overlapping with the names of other properties? I imagine it would be tough to make sure that absolutely nothing else has ever held the same title, but would it turn off a buyer if your title was the same as a lesser known game or song or something else?
One of the best titles ever: "Monsters, Inc."
It's not only a title, it's a two-word pitch. :-)
KG
Post new comment