The Advanced Art of Stop-Motion Animation: History of Stop-Motion Feature Films: Part 2

In the second excerpt from chapter one of The Advanced Art of Stop-Motion Animation, Ken A. Priebe extends his history of stop-motion features to international releases.
Posted In | Magazines: AnimationWorld | Site Categories: Books, Films, Short Films

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[Figure 1.15] Reodor Felgen, Solan Gundersen, and Ludvig of Flaklypa Grand Prix. (© 1975, Caprino Studios.)

Flaklypa Grand Prix was released on August 28, 1975, and became the most successful Norwegian film ever made, selling more than 5.5 million tickets in a country with a population of only 4.5 million. It has enjoyed similar success in Denmark, Russia, Japan, the U.K., and elsewhere. It has been translated into 14 languages and traditionally runs on Norwegian television every Christmas Eve. The feature continues to inspire a devoted fan base, and after Ivo Caprino’s death in 2001, a PC video game based on the film was produced by Caprino’s son Remo and grandson Mario. The family maintains a website for Caprino Studios (http://www.caprino.no) and has released these wonderful puppet films on DVD.

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[Figure 1.16] Shooting the race scenes from Flaklypa Grand Prix. (© 1975, Caprino Studios.)

The late ’70s was a tumultuous time for the animation industry in general—many of the old studios had shut down, and most of the work being done was cheap Saturday morning fare for television. The most significant film to come out during this time was unquestionably Star Wars in 1977, which inspired a new revolution in using stop-motion for special effects into the next decade. Amidst the science-fiction spectacle of the time, cartoony puppet features did not have much chance to stand out and were faced with limited commercial success. As a precursor to a trend that became very popular throughout the 1980s, in some cases TV series were adapted into big-screen feature versions. A popular European stop-motion TV star from the late ’60s and early ’70s who appeared on the big screen was Colargol, a little bear who wants to sing and travel around the world. The Adventures of Colargol was a Polish/French series animated by Tadeusz Wilkosz at the Se-Ma-For Studio; it became known as Barnaby in the U.K. and Jeremy the Bear in Canada. Unlike Dougal and the Blue Cat, which was an original feature based on a series, the Colargol features were simply episodes from the TV series strung together as one story. Three of these adapted features were released in Poland: Colargol na Dzikim Zachodzie (Colargol in the Wild West, 1976), Colargol Zdobywcą Kosmosu (Colargol, Conqueror of Space, 1978; Figure 1.17) and Colargol i Cudowna Walizka (Colargol and the Magic Suitcase, 1979).







Comments


hriwZFff (not verified) | Mon, 08/29/2011 - 04:41 | Permalink
ZkRPPdl (not verified) | Sun, 08/28/2011 - 17:39 | Permalink

I am thrilled to see Ken Priebe's thoughtful history online. I was one of the DC-area artists who worked for the visionary Marc Chinoy, alongside the Chiodo brothers, Steve Oakes, and other talents, in the early experimental period leading up to the production of "I Go Pogo." I recall how the Stowmar studio atmosphere was super-cold (to stabilize the plasticine) as well as super-charged with creative energy and tension. Much care was given to the near-perfection of process and "mistakes could be made": conditions that nurtured excellence. It is no wonder that great careers were launched here.

Anonymous (not verified) | Thu, 04/07/2011 - 10:30 | Permalink

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