DreamWorks Previews Madagascar 3, Rise of the Guardians

The Zoosters are back from DreamWorks along with a new superhero take on fairy tales.
Posted In | Magazines: AnimationWorld | Site Categories: 3D, CG, Events, Films
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Afterward, Ramsey discussed his impression with me. He's a story artist who not only helmed DreamWorks' Monsters vs. Aliens: Mutant Pumpkins from Outer Space TV special but has also worked with David Fincher, Francis Ford Coppola and Spike Jonze. "I provided some notes early on and was so glad to be invited to come aboard," he said. He loved the primal premise and enjoyed working particularly with the charismatic duo of Baldwin and Law. "Alex is so explosive and makes you think that Santa is the most brazenly optimistic guy in the world, and who better than Jude to seductively convince you of your worst fears deep inside you?"

Meanwhile, Bill Damaschke, the new chief creative officer, admitted that the new technology has allowed these stories to be told at this particular time. The glistening snow and golden sand are a marvel to behold in Guardians, as is the character animation. It's much more believable if still sufficiently stylized. As for the influence of Guillermo Del Toro, it's all over the character design of Guardians: "These are characters everybody knows and you must make them fresh and be bold, and he was also critical in telling us to concentrate on the story told today: the audience will catch up and don’t feel like you have to tell that back story."

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Bill Desowitz is former senior editor of AWN and editor of VFXWorld. His blog is Immersed in Movies (www.billdesowitz.com), he's a regular contributor to Thompson on Hollywood at Indiewire and he's the author of the upcoming James Bond Unmasked (Spies), which chronicles the 50-year evolution of the iconic superspy from Connery to Craig.







Comments


I just saw this movie last month and I appreciate it so much. I truly think it's Dreamwork's best ttadirional animated film. I cried because it was so beautiful. I'm reminded of the color script when ever I think of it because of the warm richness it starts off with and the cold blue atmosphere it ends with. Looking at all the different color versions for this particular scene, i do feel that the warm light in the middle with blue pillars is the best one, which is the one chosen to take further into developing.

Dani (not verified) | Fri, 03/30/2012 - 02:37 | Permalink

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