Donna La Breque interviews Activision producer Cecilia Barajas about the company's new hybrid animated-and-live action offering, Zork Nemesis--the latest in the ongoing Zork saga.

Bill Plympton, the master of the outrageous, is in the midst of making his newest feature, I Married a Strange Person., in which, as Mark Segall reports, the noted animator puts us through some strange changes.

R.O. Blechman, who has long charmed us with his films and illustrations, takes a humorous and often sardonic look at the resurgence of all things Disney and what it all means.

Frankie Kowalski discusses why All Dogs Go to Heaven2 surpasses Bluth's original.

Cartoons on the Bay è il titolo inglese di un festival italianissimo, ma tutto orientato a un grande mercato planetario: quello del disegno animato televisivo di qualità, novità strutturale destinata a scrivere (come del resto già sta facendo) un capitolo totalmente nuovo della storia del cinema d'animazione...

Over the last few years, Channel 4 has helped put a new face on British animation. Jill McGreal reports how women will lead the broadcaster into series television using the irreverent talents of Candy Guard and Sarah Ann Kennedy.

Women in Animation and Bill Everson

Last November, Jeffrey Katzenberg asked Jim and Stephanie Graziano to head up production for DreamWorks' new television animation division. While the offer was not surprising, given the Graziano's track record, what was surprising is how readily they accepted...

The United Nations is using animation as a means of social change in Asia and Africa. Neill McKee and Christian Clark report from the field.

Before being adapted to the screen, Roald Dahl's children's book, James
and the Giant Peach captured the imagination of several generations of readers since it was first published in 1961.