Oscar®-winning animator Chris Wedge teased the assembled press with a look at his new feature, the tantalizingly beautiful Epic.

The directors, head of character animation and VFX supervisor describe the making of the latest feature from DreamWorks Animation.

The Pimp returns with field research on programming women animator-specific screenings.

One of America’s greatest animators still has passion, drive and stories worth telling.

Oz the Great and Powerful offers a new, hybrid spin on a beloved classic.

How Dan Schrecker and Jonathan Levine brought the undead to life in Warm Bodies.

What does “Postmodern” really mean in terms of animation? Dr. Toon takes a look at an overused term.

In this previously unknown essay, the former ASIFA Int’l President implores community action to keep animation alive and relevant.

Virtual production takes an evolutionary leap with Bryan Singer's Jack the Giant Slayer.

The seasoned VFX vet shares how an integrated pipeline built upon Adobe software brings greater creative freedom and efficiency to the production.