Gregory Singer sits down with industry veteran Frank Gladstone and learns that it isn't all gloom and doom when facing a career in today's market. The trick is to be flexible.
Comic strips have been adapted into animation since the art form's origins. This month Dr. Toon looks at some of today's leading contenders to make the leap to motion.
In the midst of Spider-Man mania, Danny Fingeroth caught up with two of the most popular producers in showbiz Laura Ziskin and Avi Arad to talk about box office success, becoming a geek, creative changes and the new animated television show.
Surprised that Spider-Man is racking up such huge sums at the box office? Danny Fingeroth isn't, as he explains, there's a little Spidey in all of us.
Why are we so scared to venture outside of the carefully planned linear world of storytelling? The Pimp ventures an opinion.
Jean Detheux returns to look at the path animation has strayed onto a linear, non-experimental path and discusses why and how we should try to bring it back onto the road leading to Art.
In building a more personal, varied animation future, Greg Singer offers perspective for collaborating online.
Greg Singer visited this year's Game Developers Conference and reports on the breadth of events and insights. From testing out the latest games to discussions of Wittgenstein as a means for simulating sophisticated social activity among game characters, there was something for everyone.
Robin Allan paints a vivid picture of Marceline, Missouri, Walt Disney's home town. Walt truly harkened back to his days in this rural American town, which continues to strengthen its bonds with this honored native son.
So, you've been reading the articles about how much work there is in gaming, but you don't know if your skills will cross over? Sylvia Edwards gives us an overview of the gaming production process and where its similarities and differences lie from more traditional animation fields.
It seems as if the grasp that vertical integration had on the U.S. is beginning to ease...does this mean brighter days for America's independent studios? Mike Young Productions, Curious Pictures and Film Roman respond.
Will Ryan spars with Batman star Paul Dini on his favorite characters, hangouts and the effects of Green Lantern's incantation.
Jon Hofferman reviews five short films fresh from the festival circuit: Boobie Girl by Brooke Keesling, Bill Plympton's Eat, FUV by Marv Newland, (it was . . .) Nothing at All, directed by Candy Kugel and Vincent Cafarelli, and Mona Mon Amour, directed by Michael Sporn. Includes QuickTime movie clips!
Fred Patten reviews the latest anime releases Ah! My Goddess: The Movie, Plastic Little, Princess Nine, Psychic Force and The SoulTaker.
As the U.S. Copyright Term Extension Act approaches the Supreme Court, Dr. Toon discusses how it will impact toondom. Is corporate America protecting itself or robbing the public?
Is Adobe's After Effects 5.5 upgrade a significant improvement for animators? George Maestri thinks so. Version 5.5 expands on Version 5's introduction of 3D and now contains over 90 different effects.
Not all Tom & Jerry cartoons were produced in Hollywood, U.S.A. Gene Deitch tells how a full dozen were made in Prague, Czechoslovakia.
Renowned drawing instructor Glenn Vilppu continues with his twelfth and final "sketching on location" teaching installment. This month we learn how to use photographs as a reference tool that will make your trip last for years.
Justin Leach left the U.S. to experience animation production in Japan first hand. Taking a position at one of Japan's hottest studios he compares and contrasts two similar but very different worlds.
Andrew Osmond reports on the U.K.'s leading animated awards. What won? Who was there? Who wasn't? All this and more...
Networking is one of the best skills to have when it comes to finding and keeping a job. Pamela Kleibrink Thompson explains how.
The Pimp ponders the true meaning of art. From Plato to Aristotle to Nietzsche to Murder, She Wrote...the Pimp takes it all in and tries to find meaning.