The Animation Pimp has noticed something recently in animated features -- "coupling, specifically heterosexual coupling" -- and here's what he has to say about it.
While you might not realize it, you've probably already seen some of Australia's top effects houses in action. Stephen Lynch explains.
DreamWorks super successful film Shrek is being hailed as a departure from the typical fairy tale, however, Maureen Furniss investigates just how racy this re-telling is.
Heather Kenyon discusses Cartoons on the Bay, the world's only television animation festival, a uniquely Italian event set in the midst of some of the earth's most beautiful scenery.
So, you've chosen your software program. What now? Well, there are a few different ways to approach training as John Edgar Park explains.
Which 3D packages will get you work and which ones will leave you feeling unwanted? You better choose carefully and John Edgar Park is here to help you out with the decision.
What are the most important elements to have on your resume? Hear some responses and insights from the folks that do the hiring about what's crucial to be a strong contender in this tough market. Joan Kim reports.
DreamWorks' next CG animated feature is soon to hit theaters nationwide. Chris Koseluk sits down with Victoria Jenson and discusses working with superstar comedians and the latest in technology.
In today's competitive animation job market, make sure your marketing materials are current so you can stay competitive too.Here are some tips on how to craft a resume that will help you get the job you want.
Stephen Lynch interviews Robbert Smit, one of Australia's most experienced directors, on Energee Entertainment's latest feature and the trials and rewards of making a film in Oz.
When it comes to convergence CartoonNetwork.com is pushing the envelope and reaping the rewards. Brett Rogers reveals the Website's winning philosophy and hopes of becoming extinct in the near future!
Will Ryan asks writer David Stephen Cohen 9 1/2 pointed questions regarding opera, Courage the Cowardly Dog and how many degrees of separation there are between he and Kevin Bacon.
This month's Producing Animation excerpt by Catherine Winder and Zahra Dowlatabadi discusses animation's three main job categories and a little about how to get started in each.
Stephen Lynch visited Sydney's AEAF 2001 and found it to be a treasure trove of star talent presenting some of the most exciting effects coming to a screen near us soon.
Heather Kenyon finds out how some of the past years' leading independent films were funded. From Flying Nansen, to On the Possibility of Love, to Rejected, to Clandestino and more, we find out how these clever filmmakers positioned themselves in the money.
Okay, so maybe ten years is an exaggeration, but why do the majors' feature films take so long to make? Evan Backes investigates.
New to Flash and don't have a clue? James Dalby outlines Flash's strong points from utilization to staffing. If you have a story to tell in five minutes or less, Flash may be just the thing you need.
Through his experienced eyes, Steven Walsh takes a look at the future of feature films in Europe. Will Cartoon Movie prove to be as successful as the Cartoon Forum? What's at stake and play...
Animating for television series has evolved a great deal over the past twenty-five years and the incorporation of digital equipment and procedures is a huge part of this evolution. Here Sylvia Edwards details the production process and how digital tools are impacting the traditional model.