Which 3D packages will get you work and which ones will leave you feeling unwanted? You better choose carefully and John Edgar Park is here to help you out with the decision.
What are the most important elements to have on your resume? Hear some responses and insights from the folks that do the hiring about what's crucial to be a strong contender in this tough market. Joan Kim reports.
DreamWorks' next CG animated feature is soon to hit theaters nationwide. Chris Koseluk sits down with Victoria Jenson and discusses working with superstar comedians and the latest in technology.
In today's competitive animation job market, make sure your marketing materials are current so you can stay competitive too.Here are some tips on how to craft a resume that will help you get the job you want.
Stephen Lynch interviews Robbert Smit, one of Australia's most experienced directors, on Energee Entertainment's latest feature and the trials and rewards of making a film in Oz.
Stephen Lynch visited Sydney's AEAF 2001 and found it to be a treasure trove of star talent presenting some of the most exciting effects coming to a screen near us soon.
When it comes to convergence CartoonNetwork.com is pushing the envelope and reaping the rewards. Brett Rogers reveals the Website's winning philosophy and hopes of becoming extinct in the near future!
Will Ryan asks writer David Stephen Cohen 9 1/2 pointed questions regarding opera, Courage the Cowardly Dog and how many degrees of separation there are between he and Kevin Bacon.
This month's Producing Animation excerpt by Catherine Winder and Zahra Dowlatabadi discusses animation's three main job categories and a little about how to get started in each.
Veteran animation director Paul Brizzi reviews Ed Hooks' book, which combines his years of theater and teaching experience to reveal principles Brizzi says ring true.
Fred Patten reviews the latest anime releases including: Trigun, Shamanic Princess, Blue Seed, Silent Service and Maze.
Animation World Magazine's yearly "Publisher's Notebook" column introducing the April 2001 issue, where co-publisher Dan Sarto contemplates the past rocky year and mulls over headlines that never were.
The Tehran International Animation Festival ran February 19 - 22, 2001. Nag Vladermersky was lucky enough to attend and relates his experiences animated and otherwise.
Marie Beardmore sits down with Marc du Pontavice to learn about the many facets of Xilam as it takes to television, gaming, the Web, features and more.
How have we all ended up in this animated world? Martin "Dr. Toon" Goodman relates his journey into animation fandom. Does it resemble your own?
Heather Kenyon finds out how some of the past years' leading independent films were funded. From Flying Nansen, to On the Possibility of Love, to Rejected, to Clandestino and more, we find out how these clever filmmakers positioned themselves in the money.
Okay, so maybe ten years is an exaggeration, but why do the majors' feature films take so long to make? Evan Backes investigates.
New to Flash and don't have a clue? James Dalby outlines Flash's strong points from utilization to staffing. If you have a story to tell in five minutes or less, Flash may be just the thing you need.
Through his experienced eyes, Steven Walsh takes a look at the future of feature films in Europe. Will Cartoon Movie prove to be as successful as the Cartoon Forum? What's at stake and play...
Animating for television series has evolved a great deal over the past twenty-five years and the incorporation of digital equipment and procedures is a huge part of this evolution. Here Sylvia Edwards details the production process and how digital tools are impacting the traditional model.
Have you tried to dress an elephant lately? Jan Sawkins does every day! Read on as she outlines the lay of the land as it applies to co-producing animated television series in Europe.