Martin Dr. Toon Goodman interviews John K about the new episodes of Ren and Stimpy, down shots, students, his influences and more.
Joan Kim captures the flavor of the Ottawa International Animation Festival 2002 in pictures and quotes.
Many creator/producers and independent studios have found that recently a new path needs to be taken to get a show made. Instead of just looking at the domestic market, the international marketplace needs to be pursued in order to open up an entire new realm of possibilities.
Jon Hofferman reviews five short films fresh from the festival circuit: Le foto dello scandalo/Shame's Photos by Daniele Lunghini, Home Road Movies by Robert Bradbrook, Pasta for War by Zach Schlpi, Populi by David Russo and The Velvet Tigress by Jen Sachs. Includes QuickTime movie clips!
When Gene Deitch was brought in to transform Terrytoons, he thought he had been dealt a lemon lot but instead found a fabulous group of talent both young and old with which to work.
In the second part of our interviews with the creatives behind Lilo & Stitch, Andrew Osmond speaks with master animator Andreas Deja about animating Lilo, Hawaii and cartoon punch-outs.
Since January is such a great time to set your goals for the year, the Career Coach, Pamela Thompson, lets us know how to create a visual representation of them.
Can't we have some animated TV series that have true meaning? That probe the more serious aspects of our existence as humans? The Animation Pimp isn't asking for a lotjust a little depth. Here, he explains.
As Disney's summer hit Lilo & Stitch reaches DVD, it is a strong contender for the Oscar, plus it has TV and direct-to-video sequels already in production. Andrew Osmond talks to the creators of Lilo & Stitch, Chris Sanders and Dean DeBlois, about their monstrous creation.
If it makes you feel better to bring a child to the theater as an excuse to see The Wild Thornberrys Movie, you won't be disappointed. Klasky-Csupo delivers solid family entertainment in its ongoing balancing act of art and heart.
Loni Peristere discusses how he and three other partners created a new effects studio for television, which now works on such hits as Firefly and Buffy the Vampire Slayer.
IMAX is incorporating more and more entertainment only fare to their distribution slate. Not only are the results good for their bottom line but also for adding even more "event" to already special films.
John Bullivant reports on Europe's 2002 Cartoon Forum, covering the hot properties and some issues that should be addressed for the future.
When Jean Pascal Princiaux's film, Icebergclub, screened at the 2002 International Animated Film Festival at Annecy, the crowd went wild. Find out why in this interview with the filmmaker by Annick Teninge.
Annick Teninge looks into the two seemingly disparate genres that come together during Germany's Leipzig Festival.
Animated Christmas specials haven't always been synonymous with the season, it just feels that way. Martin Dr. Toon Goodman discusses their history and the uneasy balance they strike when trying to depict the "true" meaning of the season.
Jon Hofferman attended the 2002 edition of I Castelli. Here he recounts the people and films that made this year another hit.
Will Ryan reviews Voice Over Etiquette, a new book that teaches the basics of doing voice over work. While focused primarily on the advertising business, the book may offer a few tips for beginning animation hopefuls.
Four working composers discuss the creative challenges of making music for animation. Denis M. Hannigan, Don Grady, Jody Gray and James L. Venable offer tips and advice for both composers and creators, directors and producers.
Independent animating guru Bill Plympton attended the 1st Tenerife International Animation Festival and thoroughly enjoyed it. Here's his report!
The Pimp analyses two different animated takes on his favorite sport -- hockey -- and draws a few conclusions
Jean Ann Wright finishes her series on writing for television animation with some tips on how to add comedy and gags to your script.