Andrew Osmond interviews David Wyatt, a British film collector who is responsible for returning two "lost" Disney cartoons to the light of day.
While the entire world recognizes the Oscar, past winners reflect on what the statue means to them and has meant to their career. The answers will surprise you.
There are no surprises here! Bill Mikulak reviews thishome video turned motion picture that is sure to please young Doug fans.
Animation World Magazine exhibits the five animation films that were short listed in the 1999 Oscars race, but unfortunately, were not nominated.
On Animation World Magazine's three year anniversary, Dan Sarto, Co-Publisher, writes about his memories of the beginnings and hopes for the future.
While steering clear of true innovation, The King and I, does have some interesting twists and the same old, time tested and true score. Ilene Renee Gannaway reports.
1999 was a key year for ImagIna, Europe's premier computer technology showcase and festival. Held in both Monaco and Paris for the first time, Sthane Singier is happy to report that the 18th edition of the event came through with flying colors.
L Zagury gives us a taste of The Festival Internacional del Nuevo Cine Latinoamericano in Havana, one of the most important venues for Latin American filmmakers.
Renowned drawing instructor Glenn Vilppu offers the sixth installment in his bi-monthly Animation World Magazine online drawing course.
Hern Henriquez, one of Cuba's animation legends,speaks about his role in Cuban animation history and working side by sidewith Castro's revolution. L Zagury leads the conversation. Availablein English and Spanish.
Robin Allan takes a second look at Make Mine Music, a feature film which falls almost exactly in the middle of Disney's animation career, and utilizes a number of animation and musical styles.
Hern Henriquez, one of Cuba's animation legends, speaks about his role in Cuban animation history and working side by side with Castro's revolution. L Zagury leads the conversation. Available in English and Spanish.
As animation hits the big time, stars are making more appearances in animated fare. While some say it is unfair to voice-only actors, others say it is a necessary marketing move. Joe Bevilacqua investigates the many varied viewpoints.
Animating to music seemed to be a lost art in televisionanimation until two producers at Disney decided to bring it back. Tony Craig explains how he and his animation partner re-created the days of yore.
Maureen Furniss reviews this touching Oscar nominated animated documentary that depicts the filmmaker Shui-Bo Wang's perception of Chinese Communism from his childhood to the massacre.
While steering clear of true innovation, The King andI, does have some interesting twists and the same old, time tested andtrue score. Ilene Renee Gannaway reports.
Michael Geisler, sound effects editor and designer, discusses the elements of successful sound design and the considerations that must be taken when approaching a project.
Spike and Mike's latest collection of classics reveal anaward winning, crowd pleasing line-up for animation connoisseurs. WendyJackson gives us the details.
Heikki Jokinen reviews the Tampere Festival in Finland,a unique short film festival that makes sure to integrate animation intoall of its programs.
Four respected gallery owners discuss the current status of the animation art market, including what is hot and what is not.
The first animation series to be entirely produced and aired in the same day is here, Le JourNul de Franis Pusse,care of motion capture, key framing and KliK Animation. Heather Kenyontakes a look at their grueling schedule.
Pierre Lambert, animation art consultant to famed auction house Christie's, gives us a preview of the magnificent pieces of animation art to be auctioned in April, 1999. Available in French and English.
Pierre Lambert, expert chez Christie's pour l'animation, nous donne un aper de ce qui sera prentla prochaine vente aux enches en avril 1999. Article disponibleen franis et en anglais.