Oscar®-winning animator Chris Wedge teased the assembled press with a look at his new feature, the tantalizingly beautiful Epic.
What does “Postmodern” really mean in terms of animation? Dr. Toon takes a look at an overused term.
In this previously unknown essay, the former ASIFA Int’l President implores community action to keep animation alive and relevant.
Visual artist Max Hattler and advertising agency Contrapunto BBDO collaborate on the creation of an abstract political short film, 'Stop the Show,' for Amnesty International.
The seasoned VFX vet shares how an integrated pipeline built upon Adobe software brings greater creative freedom and efficiency to the production.
The director, fresh from his Annie Award win for Best Student Film, discusses his Oscar-nominated stop-motion gem.
ASIFA-Hollywood’s president describes how voting changes brought fairness, and Disney, back into the fold.
The Animation Mentor CEO discusses educational philosophy and how his school’s new AMP fully distributed production pipeline meets a changing industry’s needs.
Fred Patten looks at Brian Sibley’s book chronicling the making of Aardman’s exquisite Oscar-nominated stop-motion feature.
As we start 2013, Pam talks about being open to receiving opportunities, friendships, and help from unexpected sources.