If you want to post animations on the Internet then you need to become familiar with Macromedia Flash. Here Tom Calthrop does the introductions in a very useful "how to."
Hundreds of exhibitors and thousands of folks will descend upon Los Angeles' South Hall for The Show. The SIGGRAPH Exhibition's booths are one of the main reasons to attend. Eric Huelsman provides a list of who's who.
AtomFilms, Humongous Entertainment & Cavedog Entertainment, Headbone Interactive and Cartoon Network Online fill us in on what they are currently doing on the Internet, what the future will bring and how they are making it all financially viable.
A survey of computer animation artists, Claire Armstrong, Tim Harrington, and Victoria Livingstone, answering the question, "What ten films would you want to have with you if stranded on a desert island?
Ever heard of Romer Grey and his lost studio? You probably haven't. Michael Mallory tells the story and the significance.
I recently got a message in a fortune cookie--"A wise man knows everything.A shrewd one, everybody." That message is the essence of networking.
Thomas Korn takes a look at the German comic book character that has become a cultural phenomenon and a winning businessventure.
As a result of Cedric Littardi's first article about AnimeLand's prosecution in Animation World Magazine, letters of support flooded in. Now Cedric talks about the trial's results, the issues discussed and the mixed outcome.
Attending New York's L!censing show can be like looking into a crystal ball. Eric Lurio relates what he's learned on detecting the winners and losers...
L!censing '99 was packed again this year, filled with animated product. Mike Lyons takes a closer look at what this $132 billion industry holds in store for us.
Every network on TV seems to have a prime time cartoon these days. Martin "Dr. Toon" Goodman explores some of the causative factors behind this rush to the evening tube.
Sharon Schatz takes a closer look at David Kirk's latest book, Nova's Ark, which was illustrated using both the artist's own paintings and CGI.
Charles Solomon reviews Pierre Lambert's latest book, Mickey Mouse, which, with its stunning art work, deserves a place on any Disney fan's coffee table.
With surprising results, Ralph Bakshi sets the record straight as to what he considers adult animation.
Art Spiegelman takes us into the world of the Tijuana Bibles, little hand-drawn pornographic pamphlets that provide a subversive peak at America from the 1930s-1950s.
Jerry Beck reviews Disney's latest, Tarzan, a film that follows the familiar genre but adds a few new tricks and a masterful grasp of animation techniques and innovations.
Description: Want a professional looking script and don't know where to start? Paul T. Abramson and David D. Williamson offer us the formatting basics of what makes a good "reading" script.
We've all heard his unmistakable tunes time and time again in our favorite 'toons, but who is the man behind the music? Irwin Chusid portrays maestro Raymond Scott.
Annecy's MIFA is becoming a key event for the European animation industry. Insider Christian Davin explains why.
Don Duga relates his Annecy experience where he met filmmakers, attended screenings and was part of an international dialogue between animation instructors and ASIFA board members.
Every network on TV seems to have a prime time cartoon thesedays. Martin "Dr. Toon" Goodman explores some of the causativefactors behind this rush to the evening tube.
The Visual Effects Society put on its first festival and with such guests as Dennis Muren, Robert Abel and Ken Ralston how could it have been anything less than a resounding success? Eric Huelsman reports.