In this excerpt, Torsten Wolber leads readers through the steps from initial sketch to finished digital painting.
Supervising Director Dave Filoni discusses the latest and greatest from the Star Wars animated series.
Martin "Dr. Toon" Goodman returns with another animation criticism lesson focusing on direction by dissecting Dick Lundy's classic Donald Duck short, A Good Time for a Dime.
Martin "Dr. Toon" Goodman chats with producer/writer Mike Jelenic about the approach to rebooting Thundercats.
In the excerpt, Spawn artist Brian Haberlin takes readers through how he brings the comic to colorful life.
In the latest excerpt, Ken A. Priebe interviews stop-motion vets Larry Bafia and Webster Colcord about working on Claymation classics like the California Raisins.
In the excerpt, artist Waheed Nasir gives tips on using Painter and shows how he created his "Those Gloomy Hours" piece.
Joe Strike chats with Futurama co-creator David X. Cohen about bringing the former Fox series to Comedy Central.
Martin "Dr. Toon" Goodman gets a rare opportunity to travel to Cybertron and interview the Transformers firsthand.
Bill Desowitz reports back from Weta in New Zealand, where he viewed exclusive Tintin footage and spoke with Steven Spielberg and Peter Jackson.
In the excerpt, artist Andreas Rocha talks about his initial exploratory phase of a painting in Corel Painter.
In the latest excerpt, Ken A. Priebe delves deeper into effects, including an in-depth look at the eye compositing for the Oscar-nominated short Madame Tutli-Putli.
Learn more about Ingrid Pitt: Beyond the Forest, a collaboration between the actress Ingrid Pitt, animation legend Bill Plympton and 11-year-old artist Perry Chen.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe discusses the use of bluescreen and advanced compositing.