Do a wider variety of narratives and protagonists mean unabashedly gay animated characters are being embraced by the majority of mainstream U.S. audiences?
Catherine Morrissey reports how economic uncertainty has forced content professionals to reassess which events they attend.
Bill Desowitz reports back from Pixar about how global illumination is powering the upcoming Monsters University and The Blue Umbrella.
Fred Patten describes why fans of the new DreamWorks feature will love this definitive movie art book.
Oscar®-winning animator Chris Wedge teased the assembled press with a look at his new feature, the tantalizingly beautiful Epic.
What does “Postmodern” really mean in terms of animation? Dr. Toon takes a look at an overused term.
In this previously unknown essay, the former ASIFA Int’l President implores community action to keep animation alive and relevant.
The seasoned VFX vet shares how an integrated pipeline built upon Adobe software brings greater creative freedom and efficiency to the production.
The director, fresh from his Annie Award win for Best Student Film, discusses his Oscar-nominated stop-motion gem.