Esri to demonstrate the powerful capabilities of CityEngine and other GIS solutions for digital artists in film, television, and game design at SIGGRAPH 2013.
Researchers from MIT’s Computer Science and Artificial Intelligence Lab present the latest advancements in 3D printing at SIGGRAPH 2013.
Christie launches Christie’s HoloStation, a fully self-contained, personal visualization system, at SIGGRAPH.
Faceware Technologies announces Faceware Live, a new product that captures a live actor’s facial performance with any video source, and instantly transfers that performance to a 3D character in real time, at SIGGRAPH 2013.
zSpace unveils zView, a new webcam capture application for its interactive 3D platform, and will demonstrate it during SIGGRAPH 2013.
Get a taste of what some of the industry’s leading technology developers have on tap for SIGGRAPH 2013, including product announcements and demonstrations, Exhibitor Tech Talks and User Group meetings.
Toon Boom Animation announces the release of Toon Boom Animate 3 and Toon Boom Animate Pro 3, offering the most comprehensive set of features to professional animators in one package.
The Japan Media Arts Festival Executive Committee announces the Call for Entries for the 17th Japan Media Arts Festival starting in 2014.
Program Director Nicolás Villarreal shares his insights on the school’s new visual development degree program as well as the challenges of helping students become working professionals.
The production veteran shares her insights on the trials and tribulations of bringing Pixar’s hit feature to the big screen.
Toon Boom Animation announces a reorganization of its product line with Animate 3, ideal for for frame-by-frame animation, and Animate Pro 3, ideal for cut-out rigging animation.
Blacklist takes a historical journey through the Santa Ynez Valley in an elegant spot for the Chumash Casino Resort.
Cinesite VFX Supervisor Matt Johnson tells a tale of two “digital” cities in recreating key environments for Marc Forster’s new zombie film.
Summer's bountiful slate of animated and visual effects-laden feature films that you must, or hopefully, might, go see.
VFX production supervisor John "DJ" DesJardin discusses the secrets behind Zack Snyder's blockbuster reboot.
The first-time director discusses the dynamics, pressure and satisfaction of helming Pixar’s first prequel.
Blacklist’s Polynoid creates an all-CG spot, “Deadly Breed,” for Nike’s new Hypervenom shoe featuring some serious bite.
The Pixar senior scientist and lighting expert discusses the studio’s new physically-based lighting system, Global Illumination.
This year the Trickfilm Festival has taken its place at the top of world class animation festivals and once again I can honestly say that if I could only attend one festival a year it would be the Trickfilm Festival.