The colorful Colombia-inspired Disney animated film won Best Compilation Soundtrack for Visual Media, while composer Germaine Franco won Best Score Soundtrack and Lin-Manuel Miranda won Best Song Written for Visual Media for ‘We Don’t Talk About Bruno.’
Organization’s flagship Open Source Forum at the Academy Museum of Motion Pictures in Los Angeles is set for February 16.
Project is the studio’s second theatrical production for Paramount Animation and Nickelodeon Animation; new entry to the iconic property’s universe is slated for a February 2025 release.
Production Visual Effects Supervisor Frank Petzold talks about using in-camera effects wherever possible, eschewing loud and flashy CG sequences for more precise, realistic action centered around what’s captured on set, in Edward Berger’s harrowing and haunting Oscar-nominated war saga, now in theaters and streaming on Netflix.
Drew Barrymore and authors Savannah Guthrie and Allison Oppenheimer reflect on their new animated preschool series’ core messages of inclusivity, diversity, community, teamwork, and friendship; the show is now streaming on Netflix.
Show’s fourth season just debuted on Netflix; ITVX, STAR, 9GO! and Pro Plus pick up the non-dialogue family show centered on a joyful and curious little hobgoblin.
Launched in 1982, the Stuttgart International Festival of Animated Film - ITFS - continues to provide a gathering place for the international animation community while acting as a career springboard for young talent; the event runs April 25-30.
Brennan Brinkley, Nicole Low, and Tyler Kula’s series of 3D shorts, all under 1 minute, throw various anthropomorphic animals - always cute, sometimes quite naughty - into contemporary human situations that play off fun facts about that specific animal, now playing on YouTube and other socials.
The project, based on the popular franchise spanning multiple video games, films, and an anime series, is the latest in an overall deal between the streaming giant and the ‘Fleabag’ author.
Lucasfilm’s unique anthology returns May 4 with nine new shorts created by an international line-up of award-winning filmmakers and animation studios, including Cartoon Saloon, Aardman, and Triggerfish, harnessing different animation styles, each offering a new take on the mythos of ‘Star Wars.’
‘The Bad Guys,’ ‘Guillermo del Toro's Pinocchio,’ ‘Marcel the Shell with Shoes On,’ ‘Puss in Boots: The Last Wish,’ and ‘Turning Red’ are nominated in the animated features category; winners will be announced at the March 5 awards ceremony.
Co-Chairmen and CEOs of DC Studios Peter Safran and James Gunn dive a bit deeper into the next generation of DC films and television series, and how the new core continuity will work.
Oscar-nominated ‘The Flying Sailor’ leads the 40-film shorts field for the upcoming festival, which runs onsite February 23-26 and online March 3-12.
The award-winning VFX studio’s team, led by Connor Ling and Freddy Salazar, created tools integrated with Unreal Engine 5.1 to render and project realistic backgrounds onto an LED wall using 18 different machines with dual GPUs, for the Netflix series about an ocean liner diverted to answer a distress signal from a long-lost sister ship.
The app can now use real or rendered images - from smartphones, game screenshots, and design applications - to create a virtual reality scene.
The new 3DCG show from Zeilt Productions follows the hidden lives of five tanks of hilariously existential fish.
The sequel to Matt Reeves’ ‘The Batman’ will hit theaters October 3, 2025 under the DC Elseworlds banner, separate from the new DC Universe core continuity just revealed by James Gunn and Peter Safran.
The streamer shares key art and a featurette to tide fans over until the new 8-episode season’s March 1 release; Lucasfilm’s original live-action series follows the continuing journeys of Din Djarin through the Star Wars galaxy.
Tapping NantStudio’s advanced LED stage powered by Unreal Engine for its ‘auto demo’ project, the studio demonstrates the sustainability impact of harnessing the cutting-edge technology, both in financial and environmental costs.
The studio delivered almost 400 visual effects shots, with its London facility producing a single 10-minute sequence and Montreal facility creating a range of sequences, including full water simulations, integrating CG ships, digi-doubles and a helicopter crashing into the ocean.
The upcoming shows – almost all live-action - make up ‘Chapter 1’ of the new core, interconnected DC Universe; the first film, ‘Superman: Legacy,’ hits theaters July 11, 2025.
The NY-based real-time animation and virtual production studio’s immersive ‘Nickified’ game day viewing experience included technological firsts in AI, real-time AR graphics, and mixed reality resulting in record-breaking viewership.
Former Zoic exec to helm AGBO’s recently acquired virtual production studio, specializing in real-time applications in visual effects and animation, to be housed at its downtown Los Angeles creative campus.
The iconic admiral is forced to confront the legacy of his past and new revelations that may alter the fate of the Federation; Season 3 premieres February 16 exclusively on Paramount+.
The multi-award-winning stop-motion studio's newest and largest exhibit features immersive displays, film artifacts, and interactives spotlighting ‘Coraline;’ ‘ParaNorman;’ ‘The Boxtrolls;’ ‘Kubo and the Two Strings;’ ‘Missing Link;’ and the upcoming ‘Wildwood;’ show kicks off in March and runs through Summer 2024.
