The Japan Media Arts Festival Executive Committee announces the Call for Entries for the 17th Japan Media Arts Festival starting in 2014.
Program Director Nicolás Villarreal shares his insights on the school’s new visual development degree program as well as the challenges of helping students become working professionals.
The production veteran shares her insights on the trials and tribulations of bringing Pixar’s hit feature to the big screen.
Toon Boom Animation announces a reorganization of its product line with Animate 3, ideal for for frame-by-frame animation, and Animate Pro 3, ideal for cut-out rigging animation.
Blacklist takes a historical journey through the Santa Ynez Valley in an elegant spot for the Chumash Casino Resort.
Cinesite VFX Supervisor Matt Johnson tells a tale of two “digital” cities in recreating key environments for Marc Forster’s new zombie film.
Summer's bountiful slate of animated and visual effects-laden feature films that you must, or hopefully, might, go see.
VFX production supervisor John "DJ" DesJardin discusses the secrets behind Zack Snyder's blockbuster reboot.
The first-time director discusses the dynamics, pressure and satisfaction of helming Pixar’s first prequel.
Blacklist’s Polynoid creates an all-CG spot, “Deadly Breed,” for Nike’s new Hypervenom shoe featuring some serious bite.
The Pixar senior scientist and lighting expert discusses the studio’s new physically-based lighting system, Global Illumination.
This year the Trickfilm Festival has taken its place at the top of world class animation festivals and once again I can honestly say that if I could only attend one festival a year it would be the Trickfilm Festival.
Focused caustics, procedural textures and toon shading are just a few of the new features coming to KeyShot 4.1.
Computer graphics and visual effects software developer The Foundry announces that MARI will be coming to the Mac later this year.
Toon Boom Animation announces the launch of the “What I Like About Harmony” contest, open to Harmony users around the world.
Cantina Creative relies on Maxon's Cinema 4D software to generate more than 100 2D and 3D visual effects shots that appear throughout the blockbuster Disney/Marvel Studios superhero sequel Iron Man 3.
I highly recommend “Epic” to all age groups. It’s a thrilling adventure with magic, fantasy and a lot of heart.
Argentina-based creative agency Ronda creates a new look and brand identity for popular kids channel Nickelodeon.