The deadline for entries for the 20th edition of the International Animation Festival of Brazil, ANIMA MUNDI 2012, is March 22.
Cut&Paste, the international digital design tournament pitting the best 2D, 3D and motion/animation pros across 12 global cities, announced the addition of Helsinki – the 2012 World Design Capital – to its 2011-12 tour.
The Toronto Animation Arts Festival International (TAAFI) has opened up its submission process for animated films for their inaugural event to take place June 22 – 24th, 2012.
TeleFutura is expanding its programming lineup with the additions of one of the most successful franchises in television – Family Guy – and bringing it for the first time to Spanish-language television in the U.S.
The acclaimed director of Belle Epoque tells us about his first foray into animation and this very adult Spanish Oscar contender.
It’s been close to 2 decades since I last saw the original Beauty and the Beast, sitting mesmerized right alongside my then 3 year old daughter Becky. Sitting mesmerized right alongside my now 23 year old daughter as we watched this beautiful new version of the film, I can safely say the ends justify the means and the tremendous amount of work to bring this film to 3D has produced a visually stunning experience.
University of Creative Arts graduate Chloe Rodham won the Open/Drawn category of the inaugural Red Bull Canimation contest.
From Big Idea Entertainment press release:
FRANKLIN, TN -- Big Idea Entertainment announced they will release a brand-new DVD title, VeggieTales®: Robin Good and His Not-So-Merry Men,on March 3 and March 6, 2012 in Christian and general market stores respectively, just in time for the Easter holiday.
Cartoon Network Enterprises has kicked off the new year with the expansion of its Asia Pacific licensing portfolio featuring the launch of popular comedy properties.
Vancouver-based animation studio Slap Happy Cartoons Inc. has signed a development deal with Corus Entertainment’s YTV for the animated series Nerds and Monsters.
BEAU to offer BFA in Comic and Sequential Art for students who want to create cartoons, comic books, storyboards, graphic novels and animated features.
Disney and Comcast Announce Long-Term, Comprehensive Distribution Agreement; Deal provides Xfinity TV customers broad access to top sports, news and entertainment content across multiple screens in and out of the home.
The ToonSeum and the Museum of Uncut Funk present Funky Turns Forty, an exhibit celebrating the legacy of the first wave of positive Black animated characters of the 1970s.
At a casual glance, anybody taking on Disney in a court of law would seem either fabulously wealthy, fabulously nuts, or both. So, I find this news item of particular interest. As reported on the Yahoo Sports blog Big League Stew, Major League Baseball’s Atlanta Braves are slinging some arrows at Pixar, challenging them over the name of the upcoming animated feature, Brave.
There are films that have blitzed my senses into giddy, drunken stupors of delirium and bewilderment, riotous exhalings of creativity, desperation, and experimentation. Too often, these voices expire as rapidly as they respired, brief greetings before vanishing into the crowded darkness. One of the first animation films to short circuit me was Hilary by then Royal College of Art graduate, Anthony Hodgson.
We are excited to announce the date for FMX 2012, the 17th Conference on Animation, Effects, Games and Transmedia: May 8-11, 2012.
In Ukrainian, KROK means “step”, but to animators, KROK means watching animation, making music, dancing and meeting friends, both old and new. For me KROK is summer camp for animators and the best ten days of my life every year.
CTNX is for the young and hungry, boasting a crowd of current students and the recently graduated, who are looking at an angle into their beloved, but notoriously tough, contemporary animation industry. There’s no doubt the event will keep on drawing in professionals, studios, and students, but it remains to be seen whether it can live up to high expectations. Seeing young talent engage with their idols, and feeling their way into a field they are clearly passionate about, is where CTN truly shines.
In this, the second of a three part series on the work of Georges Schwizgebel, we look at his pre-production process.